As you probably have guessed, I like to mix things up on the site every now and again. I think you’ll like what I have in store this time.
A lot of you probably know what the National Film Registry is but just in case, here is a brief description. Every year since 1989, the National Film Preservation Board has selected up to twenty-five American films for permanent preservation. (Individuals can nominate up to fifty films each year and I highly recommend taking part in the process.)
These films are not the biggest or “best” American movies of all time. Rather, they are chosen based on whether they are deemed “culturally, historically, or aesthetically significant” and this has led to an extremely eclectic selection, as you can imagine. Another bonus is that, unlike other lists I could mention (cough, cough, AFI), silent films from all eras are given fair representation. 120+ out of the over 600 films now in the registry are silent, part-talkie or released in both silent and talkie formats.
An eclectic list with plenty of silent films? Do I like that? Yes, I do!
So, I am going to try to watch as many films on this list as I possibly can. I have made myself a personal list of the silent, part-talkie and silent/talkie releases that have been marked for preservation. Because the list is so varied, it will add some of that variety to my site and viewing experience. The project will be ongoing and will not adhere to any particular schedule. I look forward to seeing the results.
The complete list of selected films is available here but I have just listed the silent films in the collection. If I have reviewed a film on the list, I have provided a link. Happy reading!
I have reviewed over 230 films on this site as of this writing but only 24 are on the registry list. As you can see, a lot of work needs to be done. There are some films on the list that are not currently available to the general public and a couple of selections from D.W. Griffith, father of film rancid magnolia, but I do plan to cover as many of these pictures as I can.
| Title | Year |
| Newark Athlete | 1891 |
| Blacksmith Scene | 1893 |
| Dickson Experimental Sound Film | 1894-1895 |
| Edison Kinetoscopic Record of a Sneeze | 1894 |
| The Kiss | 1896 |
| Rip Van Winkle | 1896 |
| Corbett-Fitzsimmons Title Fight | 1897 |
| Demolishing and Building Up the Star Theatre | 1901 |
| President McKinley Inauguration Footage | 1901 |
| The Great Train Robbery | 1903 |
| The Life of an American Fireman | 1903 |
| Westinghouse Works 1904 | 1904 |
| Interior New York Subway, 14th Street to 42nd Street | 1905 |
| Dream of a Rarebit Fiend | 1906 |
| San Francisco Earthquake and Fire, April 18, 1906 | 1906 |
| A Trip Down Market Street | 1906 |
| A Corner in Wheat | 1909 |
| Lady Helen’s Escapade | 1909 |
| Princess Nicotine; or, The Smoke Fairy | 1909 |
| Jeffries-Johnson World’s Championship Boxing Contest | 1910 |
| White Fawn’s Devotion | 1910 |
| Little Nemo | 1911 |
| The Cry of the Children | 1912 |
| A Cure for Pokeritis | 1912 |
| From the Manger to the Cross | 1912 |
| The Land Beyond the Sunset | 1912 |
| Musketeers of Pig Alley | 1912 |
| Bert Williams Lime Kiln Club Field Day | 1913 |
| The Evidence of the Film | 1913 |
| Matrimony’s Speed Limit | 1913 |
| Preservation of the Sign Language | 1913 |
| Traffic in Souls | 1913 |
| The Bargain | 1914 |
| The Exploits of Elaine | 1914 |
| Gertie The Dinosaur | 1914 |
| In the Land of the Head Hunters | 1914 |
| Mabel’s Blunder | 1914 |
| The Perils of Pauline | 1914 |
| Tess of the Storm Country | 1914 |
| Uncle Tom’s Cabin | 1914 |
| The Wishing Ring: an Idyll of Old England | 1914 |
| The Birth of a Nation | 1915 |
| The Cheat | 1915 |
| Fatty’s Tintype Tangle | 1915 |
| A Fool There Was | 1915 |
| The Italian | 1915 |
| Regeneration | 1915 |
| 20,000 Leagues Under the Sea | 1916 |
| Civilization | 1916 |
| The Curse of Quon Gwon | 1916-1917 |
| Hell’s Hinges | 1916 |
| Intolerance | 1916 |
| Shoes | 1916 |
| Where Are My Children? | 1916 |
| The Immigrant | 1917 |
| The Poor Little Rich Girl | 1917 |
| Unmasked | 1917 |
| Wild and Woolly | 1917 |
| The Blue Bird | 1918 |
| The Sinking of the Lusitania | 1918 |
| Broken Blossoms | 1919 |
| The Dragon Painter | 1919 |
| A Virtuous Vamp | 1919 |
| Daughter of Dawn | 1920 |
| Heroes All | 1920 |
| Humoresque | 1920 |
| The Last of the Mohicans | 1920 |
| The Making of an American | 1920 |
| The Mark of Zorro | 1920 |
| One Week | 1920 |
| Within Our Gates | 1920 |
| The Four Horsemen of the Apocalypse | 1921 |
| The Kid | 1921 |
| Manhatta | 1921 |
| Tol’able David | 1921 |
| Cops | 1922 |
| Foolish Wives | 1922 |
| Miss Lulu Bett | 1922 |
| Nanook of the North | 1922 |
| Sky High | 1922 |
| Two-Color Kodachrome Test Shots No. III | 1922 |
| Safety Last! | 1923 |
| Salomé | 1923 |
| The Chechahcos | 1924 |
| Greed | 1924 |
| HE Who Gets Slapped | 1924 |
| The Iron Horse | 1924 |
| Peter Pan | 1924 |
| Sherlock, Jr. | 1924 |
| The Thief of Bagdad | 1924 |
| Solomon Sir Jones Films | 1924-1928 |
| Ben-Hur (1925) | 1925 |
| The Big Parade | 1925 |
| Clash of the Wolves | 1925 |
| The Freshman | 1925 |
| The Gold Rush | 1925 |
| Grass | 1925 |
| Lady Windermere’s Fan | 1925 |
| The Lost World | 1925 |
| The Phantom of the Opera | 1925 |
| The Black Pirate | 1926 |
| Ella Cinders | 1926 |
| Hands Up! | 1926 |
| Mighty Like a Moose | 1926 |
| So’s Your Old Man | 1926 |
| The Son of the Sheik | 1926 |
| The Strong Man | 1926 |
| Flesh and the Devil | 1927 |
| The General | 1927 |
| It | 1927 |
| The Jazz Singer | 1927 |
| The Life and Death of 9413: a Hollywood Extra | 1927 |
| Seventh Heaven | 1927 |
| Stark Love | 1927 |
| Sunrise | 1927 |
| Wings | 1927 |
| The Cameraman | 1928 |
| The Crowd | 1928 |
| The Docks of New York | 1928 |
| The Fall of the House of Usher | 1928 |
| The Last Command | 1928 |
| Lonesome | 1928 |
| Pass the Gravy | 1928 |
| The Power of the Press | 1928 |
| Show People | 1928 |
| Steamboat Bill, Jr. | 1928 |
| There It Is | 1928 |
| The Wedding March | 1928 |
| The Wind | 1928 |
| Big Business | 1929 |
| H2O | 1929 |
| All Quiet on the Western Front | 1930 |
| City Lights | 1931 |

I am not sure if I am reading this correctly but the list you show from the silent era are up for preservation? If my take on this is right then I am aghast that many on your list was not already on their list. It should have been eons ago. Good luck in trying to watch all of these…I hope you do!
The list is made up of films that are being permanently preserved, I am very happy to say. Inside a nuclear bunker, no less! Here’s an article that discusses the exact process:
http://www.wired.com/2015/07/film-preservation/
Thank goodness… I thought they were going to shoot you into space or something. Seriously, though, this project sounds fascinating. Good luck, and I will keep reading!
Thank you! I would love to be shot into space, provided they give me tea, clam chowder and silent movies. 😉
I nominate pretty much only silent films every year lol. The era needs all the preservation it can get! The AFI list is so safe though.
Yeah, safe as milk. I suppose it’s an improvement over that time when they declared “Birth of a Nation” to be the bestest silent film ever. Oy vey! rolleyes 🙄
The registry’s list has a lot of famous stuff but it also has enough quirkiness to keep things very interesting. Huge improvement.
Great idea, Fritzi. This may sound sarcastic but it is not: “Newark Athlete” is a fascinating film. The photographic quality of the early Edison stuff is unique. “A Trip Down Market Street” is also a favorite of mine.
Yes, the early stuff is uniquely enjoyable, a look at a lost world.
And here I was thinking this was about free government cheese block you were going to use in a recipe or medical brownies from a special dispensary. This is much better, I’d say.
Still, the nuclear bunker stuff is amusing and disturbing, but at least the aliens who land after we Planet of Apes the place will have stuff to watch (and they hopefully won’t revere D.W. as much as some who think he’s the be-all, end all)… 😀
Yes, let’s hope the aliens have better taste and decide that they just adore Rudolph Valentino. It would be amusing, though, if the aliens saw Birth of a Nation and ended up squishing D.W. with a large burning cross, similar to John Goodman’s demise in O Brother Where Art Thou. (Lillian Gish: “Mr. Griffith invented being squished by aliens. He created the grammar of alien squishing.”)
Wow, that’s quite a list. And I didn’t imagine there were films as far back at the mid 1800s
Yes, movies are much older than most people imagine.
I’m glad to see that you’re going to try this experiment! In fact, I was wondering if you’d been following it when I noticed your review of ‘A Fool There Was’ came out around the same time as 2015 inductees were announced.
I’ve been following the NFR list for 3 years now, and I’ve come across some real treasures (and a few stinkers as well 🙂 ). I hope you find some treasures as well!
Thank you! Yes, this should be fun. 🙂