I recently ran a poll on Twitter to find out which silent era color process people preferred and was somewhat surprised to see how many voters opted for black and white. This led me down a bit of a research rabbit hole and here we are. How did black and white become THE choice for older films even though silent films were awash with tinting, toning, hand-color, stencil color, natural color and assorted other color processes?Continue reading ““Please Post This in its Original Black and White Form” or, How Tinting, Toning and Hand Color Have Been Lost to Modern Audiences”
When discussing The Birth of a Nation, one defense that sometimes crops up is that the film is significant because it was the first film screened at the White House. The main problem with this claim is that it is demonstrably false. Cabiria was screened for Woodrow Wilson the year before and the circumstances under which he saw Birth are quite shady. (I cover the details in my extensive article.)
Okay, so readers of this site know that the fastest way to get me annoyed is to claim that silent films were filled with women tied to tracks. I have debunked this myth again and again and again but then an offhand remark in the New York Times sends silent movie fans back to mythbusting square one. Sigh.
Ask the average person to describe a silent movie villain and you’ll probably hear something like this:
“Big, curly mustache, black top hat, black cape. Always terrorizing damsels.”
The thing is, they’re describing Snidely Whiplash and Professor Fate, both of whom were created decades after the silent era. Time to smash some myths!
When the trailer for the new Ben-Hur was released, the internet went a little silly. There were people complaining that the classic 1959 version was being remade (scandal!) and then there were people who pointed out that the beloved Charlton Heston flick was itself a remake. (Guess which club I belonged to.)
There are some silent movie myths that are so common that they are printed without question by major publications and repeated on national radio and television shows. With the 100 year anniversary of The Birth of a Nation‘s 1915 premiere back in February, silent movie fans received more than our share of this nonsense.
Continue reading “Silent Movie Myth: “The Birth of a Nation” was the first feature and the first film shown at the White House”
Most of the posts on this site have been aimed at fans of silent film or curious dabblers. This post is different. It’s aimed squarely at a very strange subset of non-fans.
Welcome. We are about to descend into the realm of scandal-mongering, myths, gossip, innuendo, with a side helping of just plain mean. It doesn’t get worse than this. We are dealing with a rumor that sullies three reputations: Woodrow Wilson, one of the most famous and influential American presidents of the twentieth century; motion picture pioneer Edwin Thanhouser; and Florence La Badie, a popular film star who died at the height of her fame.
The Wind is among my favorite silent films so I am very excited about this article. It is an examination of three myths that have attached themselves to the 1928 Lillian Gish vehicle:
Note: This article covers the origins of the trope, how it erroneously became associated with silent films and why the myth persists. For more details on the actors involved, the Snidely Whiplash connection and examples of this trope subverted, check out my follow up article. You can also check out real footage and vintage images in my video response.
Those discount trivia books that litter the shelves of chain bookstores have a lot to answer for. They state with great confidence that The Jazz Singer was the first sound movie, The Birth of a Nation was the first feature film, that The Great Train Robbery was the first film with a story…
It’s a reasonably popular internet meme: Take hit modern film, desaturate it, add a few intertitles and a tinkling piano score and voila! You have a silent movie. That’s all silent movies are, right? Movies without sound and with those title cards placed at intervals.
Hooo boy, is this an old one. It is actually as old as talking pictures themselves. The myth goes like this: So-and-so (often John Gilbert) was a famous film star in the silent era but what people didn’t know is that he sounded like Mickey Mouse! Hilarious!