Out West (1918) A Silent Film Review

The comedy trio of Arbuckle, Keaton and St. John take on the western genre and the macho films of William S. Hart in particular. Chaos ensues as Arbuckle and Keaton team up to take down St. John’s obnoxious and lecherous bandit. A raucous adventure comedy with some rather dark bits (Keaton gleefully hides corpses in the floorboards), the short boasts some of the best chemistry in the business.
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Two-Gun Gussie (1918) A Silent Film Review

Harold Lloyd heads out west and he takes co-star Bebe Daniels with him. Lloyd plays a wastrel jazz pianist who, through a photo mix-up, ends up with the reputation of being the most dangerous man in a small western town. Will the power go to his head? Of course it will! Bebe is on hand as a spunky miss and the object of our hero’s affections.

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Keno Bates, Liar (1915) A Silent Film Review

William S. Hart is the proprietor of a successful gambling house. Some clown gets the brilliant idea of robbing him at gunpoint. This goes over about as well as you might expect. The problem? The dead man’s innocent and penniless sister is on her way to town. Hart has to do a whole heap of lying to keep her from finding out about her brother’s disgrace.

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The Bargain (1914) A Silent Film Review

William S. Hart’s first feature film is also a real corker. He plays a bandit who decides to trade it all in for an honest life but who soon realizes that going straight is a lot harder than it looks. After some misadventures, he finds himself in a strange alliance with the local sheriff. Filled with genuinely exciting actions scenes, ironic humor and a good dose of dust, this movie is the one that made Hart a star. It’s easy to see why.
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Bad Buck of Santa Ynez (1915) A Silent Film Review

One of William S. Hart’s earliest surviving films, this western two-reeler tells the tale of a bad guy who narrowly escapes being guest of honor at a necktie party and learns to be not quite so bad when he meets a kid in trouble. You know, a typical William S. Hart Thursday. An early example of the gritty-yet-emotional western that would become Hart’s stock-in-trade. Hart also directed.

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Beyond the Border (1925) A Silent Film Review

A fun little genre mashup that is half-romantic comedy, half-western. You think it’s hard getting people to sit down for a silent movie? Honey, you ain’t seen nothing until you have tried to get them to watch a silent western. This movie is an ideal ambassador. It’s good-natured, fast-paced and leading man Harry Carey is as charming as can be.
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The Squaw Man (1914) A Silent Film Review

An upstart studio arrived in Hollywood and made this 1914 oater. The film is about a British gent who takes the blame for a crime and heads out west. He romances and marries a Native American but finds himself conflicted when an opportunity arises to go back home to England. The film is also notable as the directorial debut of one Cecil B. DeMille.

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Redskin (1929) A Silent Film Review

The surprisingly sympathetic tale of a Navajo man, Wing Foot (Richard Dix), who was taken from his family as a boy and raised in a boarding school. Insulted and referred to as “Redskin” by his college peers, Wing Foot also finds that he no longer fits in with his family, especially his extremely traditional father. Will Wing Foot be able to bridge the gap between the culture of his birth and the culture in which he was raised?
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