Gloria Swanson has a problem. Her husband, Thomas Meighan, has purchased her a negligee! The degenerate! And he listens to fox trot music, if you please! Thomas is soon driven into the waiting arms of Bebe Daniels. Realizing her mistake, Gloria dons designer duds in a bid to win him back.Continue reading “Fun Size Review: Why Change Your Wife? (1920)”
Ignored upon initial release, this smart drama has since built a following among silent movie fans and for very good reason: it’s excellent.Continue reading “Fun Size Review: The Canadian (1926)”
Leatrice Joy is hell on wheels and in a designer gown. She plays a wild heiress whose naughty ways catch up with her when she accidentally kills a police officer with her reckless driving. Her prosecutor boyfriend throws the book at her and she ends up in prison. Also, Roman orgies. Why yes, Cecil B. DeMille did direct!
A truly weird film in Mary Pickford’s canon, this is the story of a hillbilly tween, her drunk daddy and Thomas Meighan, the handsome new schoolteacher in town. Tonally all over the place, this film is downright squicky in spots. (Lynchings played for laughs, the implied romance between Meighan and Pickford’s characters.) Some cute moments but not Mary’s best.
There are bad movies and then there are movies that are so bad that they are accidental masterpieces. This is one of those movies. The plot revolves around Norma Talmadge, a Native American (!) woman who has been no better than she ought and ends up in a marriage of convenience with a very embarrassed Thomas Meighan. The title cards are masterpieces of hilarity and the clueless plot makes this one for the ages. High recommended.
Fresh off his wildly successful debut opposite Chaplin in The Kid, Jack Coogan starred in an adaptation of the popular Peck’s Bad Boy stories, which concerns the antics of a child who can charitably be described as the devil’s spawn. If this film proves one thing, it’s that our definition of a “bad boy” has changed enormously since 1921.
I will also be reviewing the 1934 remake starring Jackie Cooper and Thomas Meighan. Click here for the talkie.
This post is part of the They Remade What?! Blogathon. Read the other great posts here.
Continue reading “Peck’s Bad Boy (1921) A Silent Film Review”
Mary Pickford plays the title character in this wilderness curio. A wild youth living in a mining town with her father, the town drunk, M’Liss begins to appreciate civilization when she falls for the new schoolteacher, Thomas Meighan. Her life takes a turn for the tragic when her father is murdered and the crime is pinned on poor Mr. Meighan. It’s up to M’Liss (aided by the screen’s first Frankenstein monster, Charles Ogle) to save the hapless educator from a lynching.
Continue reading “M’Liss (1918) A Silent Film Review”
She’s a sophisticated English girl. He’s a rough-hewn Canadian wheat farmer. She needs a place to go. He needs a wife to help out at the farm. They soon find themselves in a marriage of convenience and then things take a turn for the dark. Underrated upon its initial release, this film has started to build quite a reputation for itself since its rediscovery.
Continue reading “The Canadian (1926) A Silent Film Review”
Wetona is the daughter of a chief. Her problem is that she has been no better than she ought (if you take my meaning) and now papa is out to find her partner in hanky-panky. Poor Thomas Meighan stumbles into the situation and before you can say “It wasn’t me, sir, honest!” he finds himself a participant in a shotgun wedding. Oh my!
It’s Gloria Swanson’s turn to be the offending party in this DeMille marital comedy. She is a lovely young prude who moralizes her husband right into the waiting arms of another woman. Only then does Gloria realize that she has made a mistake and a little romance helps in marriage. Armed with this knowledge- and a wild wardrobe- she sets out to win back her man.
Norma Talmadge and Thomas Meighan play an ill-fated interracial couple. When their secret marriage is discovered, Talmadge is executed by the Emperor of China for daring to marry a white man. Her daughter (also Talmadge) grows up and sets out to discover her American roots. A very, very odd film, full of outdated racial views and a rather icky father-daughter relationship.
Continue reading “The Forbidden City (1918) A Silent Film Review”