Vacationing couple Arbuckle and Normand take a jaunt down to San Diego for some sightseeing. After renting electric-powered couches, the pair zip around the expo but, would you believe it, chaos ensues.
Marion Davies is a wacky Dutch maiden who dreams of romance. Of course, everything goes wrong in the zaniest way possible, that’s a given. Owen Moore is on hand as the Irish tourist who wins our heroine’s heart but Karl Dane and Louise Fazenda easily steal the show as the film’s secondary couple.
The comedy trio of Arbuckle, Keaton and St. John take on the western genre and the macho films of William S. Hart in particular. Chaos ensues as Arbuckle and Keaton team up to take down St. John’s obnoxious and lecherous bandit. A raucous adventure comedy with some rather dark bits (Keaton gleefully hides corpses in the floorboards), the short boasts some of the best chemistry in the business.
Continue reading “Out West (1918) A Silent Film Review”
The story is as old as they come: Boy meets girl, boy dumps girl, girl makes good, boy left to stew. The plot may be old but that made it ripe for the Keystone treatment in this mad bit of slapstick.
I was reading through 1927 issues of Photoplay magazine (as one does) and I came across a capsule review for the Marion Davies vehicle The Red Mill.
Here is the interesting part of the review:
Here is a fairly amusing comedy with the star giving a cheery performance of the Holland hoyden. Incidentally, the direction is the work of William Goodrich, who is no other than Fatty Arbuckle under his newer megaphone cognomen.
You see, I always had the impression that Arbuckle’s William Goodrich years were an open secret among Hollywood folks but not known to the general public. The scandal that destroyed his career was a doozy (although the poor man was almost surely innocent). However, here is a mainstream entertainment magazine trumpeting the new identity.
You learn something new every day.