The plot in one sentence: Daddy, buy me a prince right now!Continue reading “Fun Size Review: The Oyster Princess (1919)”
Ernst Lubitsch wows again with a surreal bit of comedy concerning a determined bachelor who buys a doll to pose as his wife, thus avoiding actually having to marry. The only problem is that the doll is a live woman, comedy star Ossi Oswalda. So we have a woman posing as a doll posing as a woman. Raucous, joyous and more than a little strange, this early Lubitsch is an unparalleled delight.
[toggler title=”How does it end? (click for a spoiler)” ]Our bachelor finally figures out that Ossi is real and falls in love with her, which is very convenient as they are already married.[/toggler]
If it were a dessert it would be:
Robot and Sprocket Cookies. Who says machines can’t be cute and tasty?
Read my full-length review here.
Here it is! My view of what Despicable Me may have looked like if it had been made in 1922.
Ernst Lubitsch directs this fractured fairy tale concerning a coddled young man who wants to avoid marriage at all costs– and he is willing to purchase an elaborate mechanical doll to pose as his wife. Petite charmer Ossi Oswalda co-stars as both the doll and the live girl it was modeled after. When the doll is accidentally broken, Ossi must take its place at the wedding. I can’t possibly imagine anything going wrong with this scenario.
Continue reading “The Doll (1919) A Silent Film Review”
Ossi’s father is the Oyster King of America and she has decided that she deserves nothing less than a European prince. Nucki is the penniless prince in question but a few cases of mistaken identity later, all plans are in shambles. Hidden amongst the the wacky hijinks is some pointed social commentary courtesy of director Ernst Lubitsch.