Raymond Griffith tries his hand at historical comedy. He plays a spy trying to intercept a gold shipment but must deal with an enemy officer and two distractions: a blonde and a brunette.
A Russian ballerina sneaks off to Paris and there she find love and (da da DUM) peril. Alice Brady plays a double role as mother and daughter while Montagu Love provides the peril.
Murder most theatrical! A major star dies a mysterious death on the stage but when his body is stolen, the case goes cold. Years later, his best friend gathers the entire cast to restage the play in order to unmask the killer but someone wants to make darn sure that the show never goes on and their methods are rather… permanent…
Valentino’s swan song and it is a humdinger, let me tell you. Rudy is back as both father and son, Vilma Banky is the leading lady, Karl Dane supports and Montagu Love provides the villainy. Plot stays pretty much the same as the first: Boy loves girl, boy kidnaps girl, boy loses girl, boy gets girl back again. Slicker, sleeker, smarter and more (intentionally) humorous than the first time around (though still not without its controversy). Showcases Valentino to perfection.
John Barrymore takes on the role of one of history’s great lovers. Raised to be a libertine, Don Juan romances his way across Europe until he ends up in Rome and runs into something completely different: a nice girl (Mary Astor). Unfortunately, she is promised in marriage to a Borgia. I think a little action is called for.
Continue reading “Don Juan (1926) A Silent Film Review”
Valentino went back to the old Middle East well one more time. Ahmed, the son of the title character of The Sheik, loves a dancer named Yasmin. After coming to believe that she betrayed him to bandits, Ahmed seeks revenge. Valentino-style. Valentino’s final screen appearance is also one of his best.
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Lillian Gish plays an innocent girl thrust into the harsh elements of the American West. The unceasing wind batters the landscape and begins to unravel her sanity. Beautiful direction from Victor Seastrom and intense acting from both Gish and Lars Hanson. Silent cinema at its finest. For goodness sake, see it!