Unjustly obscure, this picture examines gender roles and double standards in post-WWI America. Director William de Mille creates a funny, heartbreaking story of a single woman deemed a “spinster” by the residents of her small town.Continue reading “Fun Size Review: Miss Lulu Bett (1921)”
Leatrice Joy is hell on wheels and in a designer gown. She plays a wild heiress whose naughty ways catch up with her when she accidentally kills a police officer with her reckless driving. Her prosecutor boyfriend throws the book at her and she ends up in prison. Also, Roman orgies. Why yes, Cecil B. DeMille did direct!
It’s not flashy and it’s not famous but Miss Lulu Bett is one of the best dramas of the silent era. Directed by William deMille (Cecil’s big brother), it tells the tale of a woman throwing off the gloomy shackles of Victorianism and making her own way in the modern world. It’s subtle, it’s smart and its gentle humor always hits its target.
Lulu is a poor relation, sentenced to a lifetime of drudgery for the crime of spinsterhood. She jumps into a loveless marriage in order to escape her plight. It should have been an escape but it only makes matters worse and Lulu is forced to take matters into her own hands.