William Haines is a safecracker who falls in love with a banker’s daughter and leaves the old business but the old business doesn’t want to leave him. The police are tracking him down but can he be saved by a last minute plot twist?
Marion Davies is a wacky Dutch maiden who dreams of romance. Of course, everything goes wrong in the zaniest way possible, that’s a given. Owen Moore is on hand as the Irish tourist who wins our heroine’s heart but Karl Dane and Louise Fazenda easily steal the show as the film’s secondary couple.
The chaotic year of 1928 was the last gasp of the silent epic. The film industry was converting to sound but many larger films were already in production during the talkie revolution. Soon the realism and grit of silent epics would be replaced by the glossy sheen of the studio-bound talkies but the silents reigned for one more glorious year.
Continue reading “The Trail of ’98 (1928) A Silent Film Review”
Valentino’s swan song and it is a humdinger, let me tell you. Rudy is back as both father and son, Vilma Banky is the leading lady, Karl Dane supports and Montagu Love provides the villainy. Plot stays pretty much the same as the first: Boy loves girl, boy kidnaps girl, boy loses girl, boy gets girl back again. Slicker, sleeker, smarter and more (intentionally) humorous than the first time around (though still not without its controversy). Showcases Valentino to perfection.
Valentino went back to the old Middle East well one more time. Ahmed, the son of the title character of The Sheik, loves a dancer named Yasmin. After coming to believe that she betrayed him to bandits, Ahmed seeks revenge. Valentino-style. Valentino’s final screen appearance is also one of his best.
Continue reading “Son of the Sheik (1926) A Silent Film Review”