Just before the dawn of the twentieth century, movie pioneer Georges Méliès tore one of the biggest stories from French headlines and made a series of biographical sketches in support of Alfred Dreyfus, a Jewish officer who was framed for treason and exiled to Devil’s Island. The films themselves are as fascinating as their subject and are extraordinarily innovative to boot.Continue reading “The Dreyfus Affair (1899) A Silent Film Review”
This towering cinematic achievement is easily one of the greatest examples of silent era hokum that I have ever experienced. Joseph Schildkraut and Norma Talmadge are star-crossed lovers in Northern Africa wearing very silly clothes. I am entranced.
Welcome to a new variation of After the Silents, in which I examine the careers of silent movie personnel in the sound era. For this outing, I’m going to be periodically sharing my reviews of Twilight Zone episodes that feature veterans of the silent era. Today’s guest of honor is a personal favorite of mine: Joseph Schildkraut.
A rare chance to see father-son acting dynamos Rudolph and Joseph Schildkraut share the screen in a Hollywood production. Joseph plays a wastrel prince while Rudolph plays his equally dissolute father, the king of a small kingdom in Central Europe.
Bessie Love is an American college girl who discovers that she is the heiress to a fortune in an obscure little kingdom. While enjoying a last fling in Paris before her inevitable arranged marriage, she runs in Joseph Schildkraut, who is also enjoying a last fling in Paris before his inevitable arranged marriage. I wonder what will come of this.
Continue reading “Young April (1926) A Silent Film Review”
Cecil B. DeMille’s first feature from his shiny new studio, The Road to Yesterday is the epic tale of two couples, marital strife, a fiery train wreck, flappers, ministers and a touch of time travel. You know, keeping things simple. It is also notable as the film that started William “Hopalong Cassidy” Boyd on his path to stardom.