I feel nothing but contempt and disgust for this film. Not only does it lift its finale from my favorite silent film (Michael Strogoff) but people dash around squeaking about how AMAAAAAZING and creative that Cossacks finale is. No, I will not calm down.
I have a bone to pick with this film but I think I’ll have to get in line behind its star, John Gilbert, its screenwriter, Frances Marion, and one of its ex-directors, Victor Tourjansky. MGM’s attempt to simultaneously film Leo Tolstoy and Jules Verne results in a rather uneven picture that plunges into plagiarism. Wheeee!
Continue reading “The Cossacks (1928) A Silent Film Review”
Mae Murray is a brassy American gal who catches the eye of pretty much every eligible bachelor in a sleazy little Mittel-European city state. Erich von Stroheim’s most accessible film, it contains excellent performances from both Murray and leading man John Gilbert. In the minus column, von Stroheim’s tedious “sophistication” that, at a glance, is indistinguishable from that of a fourteen-year-old boy with his dad’s lad mags.
[toggler title=”How does it end? (click here for a spoiler)” ]Gilbert gets shot but not badly. He and Murray marry and she gets to be queen. I wonder if this is what gave Wallis Simpson notions.[/toggler]
If it were a dessert it would be:
A Gold Leaf Sundae. Gaudy and gilded but at it’s core, it’s just chocolate ice cream. Still, chocolate ice cream, yum!
Availability: Warner Archive released a very nice print on DVD with a Lehar-infused score. The whole ball of wax.
Charles Ray stars as a bush league pitcher who makes it big and heads to the city. He leaves behind his girlfriend, Colleen Moore, but it looks like his arch-rival, played by a very young John Gilbert, is ready to step in to replace him. Will our hero realize what is most important before it is too late?
Continue reading “The Busher (1919) A Silent Film Review”
Erich von Stroheim turned his singular talents to a classic operetta and the resulting film was the biggest hit of his career. It’s all about central European royalty (natch), an empty treasury and an extremely wealthy widow. I can’t imagine what will come of this.
Continue reading “The Merry Widow (1925) A Silent Film Review”
Whew! Finished reimagining the Nolan Batman trilogy as silent films. Here is the movie that started it all.
You asked for it and here it is! My idea of what The Dark Knight Rises would have been like if it had been released in 1927. (You can see my poster for The Dark Knight here)
Note to villains: If you want get the hero out of the way by framing him, just make sure he doesn’t get the cell next to the crazy old guy who knows where to find a fabulous treasure. Cuz, you know, he may come back for revenge.
It has a pre-Great Lover John Gilbert and Estelle Taylor playing a good girl for once. It is a little rushed but overall a pretty dern good adaptation.
If it were a dessert it would be:
Butterscotch Banana Muffins. A little bit of added flavor but generally stays close to the classic.
Read my full-length review here.
Hooo boy, is this an old one. It is actually as old as talking pictures themselves. The myth goes like this: So-and-so (often John Gilbert) was a famous film star in the silent era but what people didn’t know is that he sounded like Mickey Mouse! Hilarious!
I am pretty sure we all know the famous Alexandre Duman tale. Nice guy gets framed, finds buried treasure and then he is off for revenge. Tralalala! A very young John Gilbert stars as the vengeful count, determined to destroy the men who sent him to prison on false charges. Gilbert buckles swash (or is it swashes his buckle?) in admirable style.