Lon Chaney plays a two-thumbed criminal on the lam who poses as an armless knife-thrower to deflect suspicion. (As one does.) He’s in love with Joan Crawford, who is afraid of men’s arms encircling her. Lon knows a surgeon who can… Yes, the movie goes there.
An aggressively unfunny “comedy” with just two claims to fame: it features a very young Joan Crawford (with her own eyebrows!) and it is the picture that got William Wellman fired from MGM. Frankly, I don’t blame them one bit.
Lon Chaney plays a serial killer with two thumbs on one hand who hides out from the cops by posing as an armless knife-thrower in a traveling circus. He falls in love with Joan Crawford, who is afraid of men’s hands. After strangling her father, Chaney decides to cut off his own arms for real in order to win Crawford’s love, as one does. Chaos ensues. I did not make any of that up.
Continue reading “The Unknown (1927) A Silent Film Review”
We all have to start somewhere. That truism certainly applied to Joan Crawford’s early career. Most films stars (assuming they didn’t have billionaire producers for fathers) have to do their share of minor, oddball and stupid before they hit the big time but I think Crawford deserves some kind of medal for her work in The Boob.
Chronically unfunny “comedian” George K. Arthur plays a boob (in the bumpkin sense, not the anatomical one) who loses his best girl to a smooth bootlegger. Chaos ensues but the main draw is a very young Joan Crawford as the federal agent on the case.
Welcome to the first entry in my new series! I am going to be cooking my way through the 1929 Photoplay cookbook (recipes of the stars!) and you are invited to tag along. (I will be listing all the recipes I test on this dedicated page. Check back often.)