Reginald Denny and Laura La Plante play a couple hoping to raise their standard of living. When Denny lies about a raise, La Plante goes shopping and all is well until the repo man comes calling. A perfectly delightful domestic comedy.
I know that Hedda Hopper’s film career is not really a secret but I always feel a little strange when she shows up in a movie. Like she’s playing a cameo or something.
Mr. Yankee Doodle Dandy himself, George M. Cohan stars in an early version of this oft-filmed tale of intrigue, murder and writer’s block. It’s a mixed bag all around but there is some unintentional hilarity as one of the side characters reenacts Weekend at Bernie’s with Hedda Hopper’s corpse.
Continue reading “Fun Size Review: Seven Keys to Baldpate (1917)”
George M. Cohan tries his hand at the silent screen in this adaptation of his hit play. He plays a schlock writer who wagers he can create work of literature in 24-hours. Our hero goes to an isolated and deserted inn to work but of course you know he will be interrupted. By a reporter. And criminals. And a crazy hermit. Who steals corpses. Because.
I shall also be covering the 1983 remake, House of the Long Shadows. Click here to skip to the talkie.
Mr. A.J. Raffles is a champion cricket player who does the odd burglary on the side. Just for sport, don’t you know, old thing? House Peters takes the lead and is supported by Hedda Hopper, among others. The inferior remake of the 1917 Barrymore version, which itself was not perfect.
A sort of orphanage-western-drama-comedy, Zander the Great was one of Marion Davies’ big hits and her first film for the newly-merged MGM. She is an orphan who takes in a small boy and then sets out for Arizona in search of his father, who may or may not be a bootlegger. On the way, she meets Harrison Ford, who really is a bootlegger. A darling bit of fluff from the pen of Frances Marion.
Professor Moriarty is up to his usual wicked tactics. This looks like a job for Sherlock Holmes! You know, that well-known college student. Wait, what? John Barrymore takes an unorthodox, romantic approach toward the famous sleuth in this long-lost silent film.
Continue reading “Sherlock Holmes (1922) A Silent Film Review”