Gypsy Blood (1918) A Silent Film Review

One of Pola Negri’s earliest collaborations with Ernst Lubitsch and a major critical and commercial hit for them both, this film tells the famous tale of Carmen and her doomed romance. How will our dynamic duo make this story their own? Negri’s signature combination of sexiness, warmth and humor is on full display at this early date but the Lubitsch touch is still in its infancy.

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The Doll (1919) A Silent Film Review

Ernst Lubitsch directs this fractured fairy tale concerning a coddled young man who wants to avoid marriage at all costs– and he is willing to purchase an elaborate mechanical doll to pose as his wife. Petite charmer Ossi Oswalda co-stars as both the doll and the live girl it was modeled after. When the doll is accidentally broken, Ossi must take its place at the wedding. I can’t possibly imagine anything going wrong with this scenario.
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The Oyster Princess (1919) A Silent Film Review

Ossi’s father is the Oyster King of America and she has decided that she deserves nothing less than a  European prince. Nucki is the penniless prince in question but a few cases of mistaken identity later, all plans are in shambles. Hidden amongst the the wacky hijinks is some pointed social commentary courtesy of director Ernst Lubitsch.

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Waxworks (1924) A Silent Film Review

A young author (Wilhelm Dieterle) is hired by the owner of a wax museum to write tales about his most popular figures, Haroun al Raschid, Ivan the Terrible and Jack the Ripper. Entranced by his new boss’s pretty daughter (Olga Belajeff) the author sets to work writing about the wax figures. With each new story, the author and his new friend find themselves pulled inside the progressively nightmarish worlds that he has invented.
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