Fun Size Review: The Wildcat (1921)

Pola Negri and Ernst Lubitsch team up once again in the deranged comedy that sends up romance, adventure and Hollywood.

Pola is a bandit girl. Paul Heidemann is a ladykiller army officer. She captures him and steals his pants. He chases her all over a Dr. Suess-ian fortress. Oh, it’s a mad film and it loses its way a bit in its quest to be bonkers but Pola has never been more fun!

How does it end? Hover or tap below for a spoiler.

Read my full-length review here.

If it were a dessert it would be: Trix Cereal Crunch Cake. Loud, zany and slightly psychedelic. May induce headaches on some days. On others, it may be just what the doctor ordered.

Availability: Released on DVD as a solo title and as part of the Lubitsch in Berlin box set.

☙❦❧

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Gypsy Blood (1918) A Silent Film Review

One of Pola Negri’s earliest collaborations with Ernst Lubitsch and a major critical and commercial hit for them both, this film tells the famous tale of Carmen and her doomed romance. How will our dynamic duo make this story their own? Negri’s signature combination of sexiness, warmth and humor is on full display at this early date but the Lubitsch touch is still in its infancy.

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Fun Size Review: The Doll (1919)

doll

Ernst Lubitsch wows again with a surreal bit of comedy concerning a determined bachelor who buys a doll to pose as his wife, thus avoiding actually having to marry. The only problem is that the doll is a live woman, comedy star Ossi Oswalda. So we have a woman posing as a doll posing as a woman. Raucous, joyous and more than a little strange, this early Lubitsch is an unparalleled delight.

[toggler title=”How does it end? (click for a spoiler)” ]Our bachelor finally figures out that Ossi is real and falls in love with her, which is very convenient as they are already married.[/toggler]

If it were a dessert it would be:

via sweetsugarbelle.com
via sweetsugarbelle.com

Robot and Sprocket Cookies. Who says machines can’t be cute and tasty?

Read my full-length review here.

Recommended

The Doll (1919) A Silent Film Review

Ernst Lubitsch directs this fractured fairy tale concerning a coddled young man who wants to avoid marriage at all costs– and he is willing to purchase an elaborate mechanical doll to pose as his wife. Petite charmer Ossi Oswalda co-stars as both the doll and the live girl it was modeled after. When the doll is accidentally broken, Ossi must take its place at the wedding. I can’t possibly imagine anything going wrong with this scenario.
Continue reading “The Doll (1919) A Silent Film Review”

Silent Take: The Princess Bride circa 1928

It’s baaack! Another modern movie re-imagined as a silent. This time, it’s The Princess Bride and it is taking a little trip back to 1928. If you have only seen Mary Astor and William Powell in the talkies, you may be interested to know that in the silents, she was often the dainty princess and he was often a sneering villain. Douglas Fairbanks Jr. did not try his hand at swashbuckling until 1937’s Prisoner of Zenda (Astor was in that one too) but I crave your indulgence because I think he is a perfect Westley.

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The Oyster Princess (1919) A Silent Film Review

Ossi’s father is the Oyster King of America and she has decided that she deserves nothing less than a  European prince. Nucki is the penniless prince in question but a few cases of mistaken identity later, all plans are in shambles. Hidden amongst the the wacky hijinks is some pointed social commentary courtesy of director Ernst Lubitsch.

Continue reading “The Oyster Princess (1919) A Silent Film Review”