Cyrano de Bergerac (1925) A Silent Film Review

The famous tale of Cyrano de Bergerac is lavishly adapted for the silent screen, complete with stencil color. The story has been lifted so many times for romantic comedies that it almost needs no introduction: Cyrano, brilliant but marred by an outlandishly large nose, loves the beautiful Roxane. She, however, loves the handsome but vapid Christian. Can the two men combine to become the perfect lover?

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Nomads of the North (1920) A Silent Film Review

A real rarity for Chaney fans: Our beloved monster plays a straightforward leading man. Lon Chaney and Betty Blythe are a pair of Canadian lovebirds who must flee when he is framed for murder. Lewis Stone plays the Mountie charged with bringing Chaney to justice. And he won’t give up because as the Hollywood Mounties say: “We always get our man!”

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The Power of the Press (1928) A Silent Film Review

Douglas Fairbanks Jr. in one of his breakout hits– directed by none other than Frank Capra! Doug plays a cub reporter who is desperate for a scoop. He gets it when he manages to implicate a young lady (Jobyna Ralston) in a scandalous murder. Seeing the damage he has done to innocent Jobyna, Doug sets out to catch the real killer.

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The Winning of Barbara Worth (1926) A Silent Film Review

Vilma Banky takes on the title role of this Western-set tale of settlers, dams, floods and legal shenanigans. Banky is the prettiest girl in Imperial county. Ronald Colman is the corporate raider from the east who falls for her. A very young Gary Cooper is the local boy who hopes to win her heart. So, just who does win Barbara Worth?
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Tempest (1928) A Silent Film Review

John Barrymore is a sergeant in the Russian army who dreams of winning an officer’s commission. But he hits a snag in the form of Camilla Horn, an imperious princess who seems to stumble him at every turn. Stripped of his rank, John goes a little mad and decides the Bolsheviks kind of have a point. The revolution is on, John is nuts, Camilla smolders and we have some grade-A entertainment.

No Shakespeare for you!

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The New York Hat (1912) A Silent Film Review

Pastor Lionel Barrymore receives a strange mission from a parishioner (the wife of the town miser) who has recently passed away: He is to take the money she has left and buy her daughter, Mary Pickford, little luxuries that she has been denied. The Pastor starts by buying Mary a pricey hat from New York. Little does he know that this kindness will start a frenzy of gossip.

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The Idol Dancer (1920) A Silent Film Review

White Almond Flower (Clarine Seymour) is a flapper-ish island girl who just can’t choose between a sickly missionary (Creighton Hale) and an atheist beach bum (Richard Barthelmess). Will WAF be “civilized” or will she be free to continue her moonlight idolatry? D.W. Griffith directs this tale of religion, the nature of civilization and shimmy-shimmy shakes.
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The Golden Chance (1915) A Silent Film Review

Cinderella has ulterior motives in this early DeMille melodrama. Mary Denby is a judge’s daughter who married below her station. With her husband drinking away the household income, she applies for work as a seamstress. The new job puts her in contact with a rich family who decide to use her beauty and charm to their advantage in business dealings. Nice people.

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The Forbidden City (1918) A Silent Film Review

Norma Talmadge and Thomas Meighan play an ill-fated interracial couple. When their secret marriage is discovered, Talmadge is executed by the Emperor of China for daring to marry a white man. Her daughter (also Talmadge) grows up and sets out to discover her American roots. A very, very odd film, full of outdated racial views and a rather icky father-daughter relationship.

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Way Down East (1920) A Silent Film Review

Director D.W. Griffith dives back into country melodrama with this adaptation of a hoary stage smash. Lillian Gish plays Anna, a country girl seduced and abandoned by a rich cad. The resulting baby dies and Anna is alone in the world. She meets the kindly Bartlett family and it seems that her life is taking a turn for the better… that is until her past is exposed.

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The White Rose (1923) A Silent Film Review

Child neglect, single moms, personal crisis… Just another day D.W. Griffith-land. Mae Marsh is Teazie, a young orphan who flirts as way to get much-needed attention. Ivor Novello is Joseph, a freshly ordained minister who mistakes her flirtations for an immoral character. What follows can best be described as Way Down East meets The Scarlet Letter.

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