The first screen adaptation of Chicago was a silent film and a rather saucy one at that. Phyllis Haver is on fire as the heartless Roxie Hart, who shoots her lover and spends the rest of the film attempting to game the legal system in order to get off scot-free.Continue reading “Fun Size Review: Chicago (1927)”
Looking for silent film recommendations but tired of the same old same old? This is the list for you! We’re going into uncharted territory with a selection of undeservedly obscure silent films that all but guarantee you a delightful evening’s entertainment.
Look, when a classy lady is trying to improve her mind with a good book, you all just need to SHUT YOUR PIE HOLES!!!!
I am getting into the collectible business! Well, digital collectibles anyway. And since these are free, I guess it is really not much of a business. In any case, humor me.
My point is that I thought it would be fun to deliver bite-sized bits of silent movie trivia in a series of cards. Feel free to download, print, share and annoy your friends and relatives with your new-found knowledge.
Before it was a musical, Chicago was a sassy silent film. But how well do you know Roxie Hart and the gang? Enjoy the trivia!
Phyllis Haver was the silver screen’s first Roxie Hart and does she ever own the part! The 1927 version of Chicago is a mad bit of twenties wildness and Miss Haver’s performance is a huge part of what makes it a success.
The plot, if you will recall, is that Roxie plugs her lover and then tries to get off the hook with the help of a very clever lawyer. Thought lost for decades, it was rediscovered in the personal archive of Cecil B. DeMille (the film’s uncredited director) and has finally been restored to its rightful place as one of the darlings of the silent movie fandom.
Phyllis Haver’s wonderfully expressive face is one of the great assets of the 1927 film version of Chicago (yes, that Chicago). Her Roxie Hart is a somewhat homicidal gal with a heart of pure granite. In this case, she is hiding from the bill collector when he comes to call. Ukuleles, player pianos and silk lingerie are not free, as it turns out. Five minutes later, she plugs her lover with a revolver. Oh that Roxie!
You can read my review of the film here.
Because, in the end, reading is the most important thing, right?
(I know I say this in safe company as there is enormous overlap between classic movie fans and bookworms.)
(This is another one from the 1927 version of Chicago. In case you didn’t know, I love that movie to death.)
Phyllis Haver’s Roxie Hart and Julia Faye’s Velma have met their match with the jailhouse matron. The battle started with Velma accusing Roxie of using peroxide, Roxie pulling off Velma’s wiglet and it all went downhill from there. The root of the animosity? Which one of these dishy murderesses is the more famous or, should I say, infamous? Who has more columns, more photos, more condemnation from decent citizens?
Ah, Chicago. I love you so!
Think Chicago started as a 1970’s musical? Think again! The original play by Maurine Watkins was filmed twice before it was ever a musical, once as a silent and once as a talkie. Juicy though the story of murderesses and corruption was, the behind-the-scenes action was just as intriguing.