The Unknown (1927) A Silent Film Review

Lon Chaney plays a serial killer with two thumbs on one hand who hides out from the cops by posing as an armless knife-thrower in a traveling circus. He falls in love with Joan Crawford, who is afraid of men’s hands. After strangling her father, Chaney decides to cut off his own arms for real in order to win Crawford’s love, as one does. Chaos ensues. I did not make any of that up.
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Naughty Boy (1927) A Silent Film Review

In order to make his father look younger for his date, Lupino Lane consents to dressing up as a child. Things are complicated by the fact that the girl of his dreams just happens to be the daughter of his dad’s date—and she thinks he’s just a cute little boy.

This is part of the See You in the Fall Blogathon, be sure to check out the other great posts!
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The Girl with the Hat Box (1927) A Silent Film Review

Housing shortages, wage theft, tax evasion… are these really subjects for comedy? They are to director Boris Barnet! Anna Sten plays a mischievous milliner who enters into a marriage of convenience with a homeless college student so that he can use her Moscow apartment. Of course, nothing works out the way they planned and matters are further complicated when Miss Sten becomes the proud owner of a winning lottery ticket.
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The Forty-First (1927) A Silent Film Review

One of my favorite love stories! (What does this say about me?) She’s a sniper with forty kills to her name. He’s an enemy officer who is targeted as her forty-first. One missed shot later, the officer is not dead but a prisoner. Do I even need to say that a dark romance is in the offing? A gritty tale of revolution and class divide, this is a lesser-known picture from the legendary Yakov Protazanov, best remembered today for the pioneering Aelita, Queen of Mars.
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The Shamrock and the Rose (1927) A Silent Film Review

Rosie is a girl living in New York who falls for Tom, the boy next door. Neither family is thrilled with the romance but what can you do when two crazy kids just want to fall in love? Well, in this case, the answer is to engage in slapstick and as many ethnic stereotypes as will fit into the runtime. This film is part of a very curious subgenre, one that helped create copyright law as we know it.

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The Last Performance (1929) A Silent Film Review

Conrad Veidt is an illusionist who is in love with his assistant. Unfortunately, she falls for another, leaving Veidt in the dust. Now what will he do about that? Did I mention that he has an act that involves stabbing a trunk (and the person inside) with twelve sharp swords? You know, I think this just might figure into the story at some point.
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Surrender (1927) A Silent Film Review

He’s a Cossack prince. She’s the rabbi’s daughter. Can they find love? Also, the hero is a tad bit genocidal. Yes, that is the plot. The unusual duo of Mary Philbin and Ivan Mosjoukine (in his only Hollywood appearance) are star-crossed lovers in this Great War romance. It boasts superb cinematography but the story? Oh my. The main conflict: You always blackmail the one you love.

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The Beloved Rogue (1927) A Silent Film Review

John Barrymore plays Francois Villon, the medieval French poet/thief who runs afoul of the eccentric King Louis XI (Conrad Veidt). But when the kingdom is threatened by the Duke of Burgundy, it is up to Villon to save the day. Oh, and there is naturally a lovely damsel. The most fun you can have in the Douglas Fairbanks manner without actually having Douglas Fairbanks participating.
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