The Woman in the Suitcase (1920) A Silent Film Review

In a grisly tale of madness and murder, the dismembered body… Just funnin’ ya! The title is a bit deceptive as it is a picture of a woman that ends up in a suitcase. The plot can best be described as The Women meets The Parent Trap as Enid Bennett plays detective and tries to track down her father’s mistress to save her family.
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Haunted Spooks (1920) A Silent Film Review

After losing another of the only girls he ever loved, Harold Lloyd decides to end it all. That doesn’t work out so well but another proposition turns up. Mildred Davis is a young lady who needs a husband in order to qualify for her inheritance, an old southern mansion. The problem is that the mansion has some other residents of a… ghostly persuasion.

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The Penalty (1920) A Silent Film Review

Lon Chaney as we know him really arrived with the release of this movie. It has everything we love about him: impressive makeup, criminal mischief, madness, murder and scenery chewed with rare abandon. Who wouldn’t want to see a movie about a double amputee criminal mastermind who plans to take over San Francisco with a gang of anarchists wearing stylish straw hats?
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Nomads of the North (1920) A Silent Film Review

A real rarity for Chaney fans: Our beloved monster plays a straightforward leading man. Lon Chaney and Betty Blythe are a pair of Canadian lovebirds who must flee when he is framed for murder. Lewis Stone plays the Mountie charged with bringing Chaney to justice. And he won’t give up because as the Hollywood Mounties say: “We always get our man!”

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The Mark of Zorro (1920) A Silent Film Review

Douglas Fairbanks stars in the very first Zorro movie. The tale is familiar: Zorro is a Californian Robin Hood, who robs from the rich, gives to the poor, fights oppression, romances the beautiful Lolita and does battle with the villainous Captain Ramon. And, this being a Fairbanks vehicle, there is quite a lot of leaping about in the bargain!
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The Idol Dancer (1920) A Silent Film Review

White Almond Flower (Clarine Seymour) is a flapper-ish island girl who just can’t choose between a sickly missionary (Creighton Hale) and an atheist beach bum (Richard Barthelmess). Will WAF be “civilized” or will she be free to continue her moonlight idolatry? D.W. Griffith directs this tale of religion, the nature of civilization and shimmy-shimmy shakes.
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Why Change Your Wife? (1920) A Silent Film Review

It’s Gloria Swanson’s turn to be the offending party in this DeMille marital comedy. She is a lovely young prude who moralizes her husband right into the waiting arms of another woman. Only then does Gloria realize that she has made a mistake and a little romance helps in marriage. Armed with this knowledge- and a wild wardrobe- she sets out to win back her man.

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Way Down East (1920) A Silent Film Review

Director D.W. Griffith dives back into country melodrama with this adaptation of a hoary stage smash. Lillian Gish plays Anna, a country girl seduced and abandoned by a rich cad. The resulting baby dies and Anna is alone in the world. She meets the kindly Bartlett family and it seems that her life is taking a turn for the better… that is until her past is exposed.

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