Buddy comedies do not come better. During the Great War, two squabbling soldiers are captured by the Germans. They escape, rescuing an Arabian princess in the process. Cute film with a strong cast and a lively pace. One of the early silents produced by Howard Hughes.
She’s the saintly sister of a debauched minister. He’s a somewhat homicidal gunslinger determined to run the church right out of town. Is that romance in the air? Marvelously apocalyptic western from everyone’s favorite Good Bad Man, William S. Hart.
Why do eccentric millionaires always do this? Die and leave strange wills, that is. This time around, a group of would-be heirs gather to see who gets the cash. Murder ensues. Laura La Plante is the heiress who must solve the mystery before she is permanently eliminated from the succession.
The Maharajah of Bengal wants his wife to have the most fabulous tomb in the world. He hires an English architect to design and constructs it. There’s just one little problem. His wife is not dead. Yet. This is a classy adventure yarn with a strong Teutonic flavor. Well worth obtaining.
Continue reading “The Indian Tomb (1921) A Silent Film Review”
A glamorous European countess meets small town America and it’s a novel experience for both. Tongues wag, the gentlemen preen and the town’s moral crusader finds himself unpleasantly in love. This is pretty much the most fun you can have at the movies and not be breaking the law.
Continue reading “A Woman of the World (1925) A Silent Film Review”
He’s a Bolshevik. She’s a princess. Can they find love? Of course they will! Riding roughshod over historical accuracy and narrative logic, The Volga Boatman still manages to be a rollicking (if air-headed) good time.
He’s a sheik. She wears chic clothes. He lives in a tent. She lives in a manor. He fights enemy tribes. She fights hat hair. Getting a date with her is out of the question.
Backup plan: Abduction. Obviously.