Based very, very loosely on a poem by Poe, the film tells the tale of lovers torn apart by parental disapproval, a mutiny and a handsome book publisher… Oh, all right. It pretty much has nothing at all to do with Poe and the name of the heroine was just borrowed to add a literary touch.
Douglas Fairbanks is the titular thief who uses his burglaring ways to win a princess, defeat the Mongols and generally save the day. Scenery, sets and costumes? Gorgeous. Pace? One may safely describe it as, er, stately. Pluses: An early appearance from Anna May Wong and much Fairbanksian leaping.
Lulu is a poor relation, sentenced to a lifetime of drudgery for the crime of spinsterhood. She jumps into a loveless marriage in order to escape her plight. It should have been an escape but it only makes matters worse and Lulu is forced to take matters into her own hands.
All right, you like silent movies. In fact, you love silent movies. The problem is that your movie nights are, to put it nicely, a rather solitary affair. Let’s face it, we’re in the minority.
“Can anyone take those movies seriously?”
“Did they even make movies back then?”
“How do you know what’s going on?”
Well, no one said being a silent film fan would be easy.
Child neglect, single moms, personal crisis… Just another day D.W. Griffith-land. Mae Marsh is Teazie, a young orphan who flirts as way to get much-needed attention. Ivor Novello is Joseph, a freshly ordained minister who mistakes her flirtations for an immoral character. What follows can best be described as Way Down East meets The Scarlet Letter.
Buddy comedies do not come better. During the Great War, two squabbling soldiers are captured by the Germans. They escape, rescuing an Arabian princess in the process. Cute film with a strong cast and a lively pace. One of the early silents produced by Howard Hughes.
She’s the saintly sister of a debauched minister. He’s a somewhat homicidal gunslinger determined to run the church right out of town. Is that romance in the air? Marvelously apocalyptic western from everyone’s favorite Good Bad Man, William S. Hart.
Why do eccentric millionaires always do this? Die and leave strange wills, that is. This time around, a group of would-be heirs gather to see who gets the cash. Murder ensues. Laura La Plante is the heiress who must solve the mystery before she is permanently eliminated from the succession.
The Maharajah of Bengal wants his wife to have the most fabulous tomb in the world. He hires an English architect to design and constructs it. There’s just one little problem. His wife is not dead. Yet. This is a classy adventure yarn with a strong Teutonic flavor. Well worth obtaining.
Continue reading “The Indian Tomb (1921) A Silent Film Review”
A glamorous European countess meets small town America and it’s a novel experience for both. Tongues wag, the gentlemen preen and the town’s moral crusader finds himself unpleasantly in love. This is pretty much the most fun you can have at the movies and not be breaking the law.
Continue reading “A Woman of the World (1925) A Silent Film Review”
He’s a Bolshevik. She’s a princess. Can they find love? Of course they will! Riding roughshod over historical accuracy and narrative logic, The Volga Boatman still manages to be a rollicking (if air-headed) good time.
He’s a sheik. She wears chic clothes. He lives in a tent. She lives in a manor. He fights enemy tribes. She fights hat hair. Getting a date with her is out of the question.
Backup plan: Abduction. Obviously.