Valentino’s swan song and it is a humdinger, let me tell you. Rudy is back as both father and son, Vilma Banky is the leading lady, Karl Dane supports and Montagu Love provides the villainy. Plot stays pretty much the same as the first: Boy loves girl, boy kidnaps girl, boy loses girl, boy gets girl back again. Slicker, sleeker, smarter and more (intentionally) humorous than the first time around (though still not without its controversy). Showcases Valentino to perfection.
For the very latest news, please visit the Blogathon Update Page!
Let’s all celebrate the feminine funnybone with the Funny Lady Blogathon. It will be held on June 29-30. The goal is to celebrate the wit and wacky ways of female comedians. This is a classic blogathon so any funny actress from the beginning of film to 1970 is eligible.
Here’s the skinny:
Who can join:
You can! All bloggers are welcome. There is no pre-event cutoff date. You can join right up to the first day of the Blogathon! (And maybe even after, we’re pretty casual in these parts.)
How to participate:
Pick a comedienne from pre-1970 cinema. Then have fun! Post an image gallery, review a film, write a biography, paint a picture, create a GIF, write a poem…
Your Funny Lady can be a dedicated comedienne (Mabel Normand, Beatrice Lillie) or a dramatic actress who also excelled in comedy (Katherine Hepburn, Carole Lombard).
There are a ton of funny ladies to choose from so I am asking for no duplicates, please. And I selfishly snagged Marion Davies for myself.
Need inspiration? Here are some unclaimed Funny Ladies: Marie Dressler, Bebe Daniels, Marilyn Monroe, Edna Purviance, Myrna Loy, Audrey Hepburn, Lupe Velez, Carole Lombard, Constance Talmadge, Dorothy Gish, Leatrice Joy, Margaret Sullivan.
If you are on Tumblr and deal exclusively in images and GIFs, simply tag your posts #funnyladyblogathon on June 29-30.
You can either leave a comment, tweet me @MoviesSilently or contact me via email to join in. And grab yourself a banner too.
There is no pre-event cut-off date for entries. I will be accepting new participants up to the Blogathon date.
Oops, I changed my mind!
No problem! Just contact me and let me know your new choice and I will update the roster.
I have arbitrarily divided the ladies into three categories covering the time when they did their most famous work. It’s just a guesstimate to keep things tidy so don’t be mad if I put someone in the wrong slot.
Blogs with direct links to the posts will be marked with an *
The Silent Ladies
*Movies Silently | Marion Davies in Show People + sundry GIFs
Comet Over Hollywood | Zasu Pitts
*The World’s Funniest Dissertation | Mabel Normand
*The Movie Rat | Louise Fazenda
*Noir and Chick Flicks | Clara Bow
*Family Friendly Reviews | Mary Pickford in My Best Girl
*A Modern Musketeer | Martha Sleeper
*A Mythical Monkey | Funny Ladies of the Silent Era: A Baker’s Dozen
The Golden Age, Thirties and Forties
*I Started Late and Forgot the Dog | Ginger Rogers
*Crítica Retrô | Rosalind Russell in His Girl Friday
*Girls Do Film | Katharine Hepburn in Bringing Up Baby
*The Vintage Cameo | Carmen Miranda
*Thrilling Days of Yesteryear | Thelma Todd
*Classic Movie Hub | Kathleen Howard
*I Humbly Suggest… | Irene Dunne
*She Blogged by Night | Margaret Dumont in Duck Soup
*Portraits by Jenni | Claudette Colbert in The Palm Beach Story
*Spoilers | Jean Arthur in The Public Menace
*Stardust | Una Merkel
*Close Ups and Long Shots | Jean Harlow
*Shadows and Satin | Isabel Jewell
*Love Those Classic Movies!!! | Billie Burke
*Film Flare | Barbara Stanwyck
*i luv cinema | Mae West
*Destroy All Fanboys | Betty Hutton The Miracle of Morgan’s Creek
Naughty Librarian | Miriam Hopkins
Sittin’ on a Backyard Fence | Myrna Loy
*Movie Classics | Margaret Rutherford in Blithe Spirit
*Let’s Go to the Movies | Carole Lombard
The Nifty Fifties and Swinging Sixties
*Motion Picture Gems | Marjorie Main
*Silver Scenes | Joan Davis
*Frankly My Dear | Lucille Ball
*The Kitty Packard Pictorial | Shirley MacLaine
*Once Upon a Screen | Gracie Allen
*The Great Katharine Hepburn | When Comedy Was Queen: The Women of the 1950s Sitcom
*Blame Mame | Jane Russell in Gentlemen Prefer Blondes
*Oh, Don’t Be Diriculous! | Doris Day
*Caftan Woman | Judy Holliday
*The Motion Pictures | Mary Tyler Moore
*Cindy Bruchman | Maureen O’Hara
*Cinemalacrum | Marilyn Monroe
Constance Talmadge is a lovely American heiress who travels to England disguised as a frump in order to ward off fortune-hunting men. Ronald Colman is a penniless aristocrat who falls for Constance and impersonates a physician to get a closer look. Chaos ensues. Of course. It’s a romantic comedy!
Continue reading “Her Night of Romance (1924) A Silent Film Review”
Status: Print held by the George Eastman House
Blue Jeans is another film by the acclaimed director John Collins. Within a year of completing it, Collins was dead from the Spanish Influenza at the age of 28. Actress Viola Dana lost her husband and frequent collaborator. Hollywood lost a young and vibrant talent.
As you recall, my theme month for June was chosen by my readers in a poll. Now I am going one step further. I am going to have an entire month in which I review nothing but reader requests!
Here’s how it works: Request a silent movie that you would like me to review. I will go through the requests and select 4-7 (depending on their length) for review.
The requests so far (please keep them coming!):
(I will update this section as I get more feedback)
My loyal subscriber Emma requested The Wizard of Oz (1925), widely considered the worst silent film ever made. She also requested The Married Virgin, The General and Sadie Thompson.
The Toronto Silent Film Festival requested The Adventures of Prince Achmed, JÁccuse and The Crowd (or anything directed by King Vidor). For comedy, Seven Years Bad Luck, Limousine Love and Putting the Pants on Phillip.
Terry of A Shroud of Thoughts requested some German horror: Nosferatu and The Golem.
Kendra of VivAndLarry.com requested Pandora’s Box.
Jessica of Comet Over Hollywood requested Red Lily.
Chris of StoryBox requested The Poor Little Rich Girl.
Danny of Pre-Code.com requested The Toll of the Sea.
Trevor of A Modern Musketeer requested Lizzies of the Field and His Prehistoric Past.
Paul on Twitter requested The Kid.
Barry of Cinematic Catharsis requested a Lon Chaney/Tod Browning collaboration.
Judy of Movie classics requested The Phantom Carriage.
Cindy Bruchman requested a Charlie Chaplin film.
Silent Beauties recommended two Danish films, Atlantis and The Abyss.
Michael on Twitter requested City Lights.
Jonathan Moya sent me a long list of fabulous recommendations. Here are the highlights (and the ones that are not either already reviewed or currently scheduled): Sunrise, Greed, Ben Hur, The Battleship Potemkin, The Hunchback of Notre Dame and A Woman of Paris.
Lindsey of The Motion Pictures requested HE Who Gets Slapped.
Jenni of Portraits by Jenni requested Broken Blossoms and White Shadows in the South Seas.
Subscriber Richard requested Les Vampires and Faust.
Jonathan on Twitter requested The General.
Thomas of We Want Hollywood requested Rubber Tires.
Noir Dame seconded Red Lily and Nosferatu. She also requested Sherlock Jr., The Plastic Age and a Talmadge sister title.
Aurora of Once Upon a Screen requested Romance of the Redwoods, the first of two Mary Pickford/Cecil B. DeMille collaborations.
Blog reader Suzanne requested The Last Command.
My подруга requested Seventh Heaven and The Unknown.
Blog reader Alex requested Diary of a Lost Girl.
David on Twitter requested Coeur Fidèle
Blog reader Cindy requested The Big Parade, A Woman of Paris or anything with Garbo and Gilbert.
My 오빠 requested Wild Oranges
How you can join in:
Use the comments or this handy contact box. I am also on the Twitter so you may tweet me. Be sure to mention if you have a blog or a website since I will give you a shout-out it if I choose your film request (assuming the content is SFW, of course). You can also request a genre or a performer, if you don’t have any titles in mind.
I should probably mention that I have a small list of films I will not be reviewing under any circumstances. Don’t worry, there are only two films on it. Just thought I would issue the warning.
Status: Missing and presumed lost
If ever there was a tale to showcase leading men, this is it. Thomas Hardy’s 1874 novel features three juicy parts for the boys: The flashy playboy, the mature stalker and the solid (and stolid!) suitor-in-waiting. There is also a doozy of a leading lady part and a few nice supporting roles for actresses as well.
Still in his second year of directing, D.W. Griffith delves into the American Revolution in this early Biograph adventure film. An American courier is trying to deliver an important message to General Washington. He seeks refuge with his family but is soon found out and shot. His family must try to deliver his message and save themselves from the licentious Hessians, who include… Mack Sennett?
Continue reading “The Hessian Renegades (1909) A Silent Film Review”
Have a spare 5 hours? Sure you do! For this you do. Legendary French serial expert Louis Feuillade creates the crazy-addictive tale of a caped crusader, a vamping criminal mastermind and some really cute kids. Judex is a mysterious avenger out to right the wrongs performed by a corrupt banker. It starts with threatening notes and escalates to murder (or does it?). Fast, funny, exciting and highly addictive.
Ladies! Do you realize that by bobbing your hair you are suggesting that you are a man’s intellectual equal? Gracious! How could such a calamity come upon us? (Fans self) Next thing you know, women will be going to college and becoming doctors and lawyers!
This is how I react to those four words, how about you? What terrible news does this GIF symbolize for you? Let me know!
(Actually, Constance Talmadge was startled by Ronald Colman in Her Night of Romance but let’s have a bit of fun!)
This book really should have been titled The Feature Films of D.W. Griffith since all of his shorter work is covered in a single chapter. No matter. Written by Edward Wagenknecht and Anthony Slide, it covers all of Griffith’s movies, from Judith of Bethulia to The Struggle.
When you hear about Plan 9 from Outer Space, the first thing you think of is a silent movie, right?
No? Well, keep reading!
Okay, here’s a little bit of advice for Ronald Colman: If you are posing as someone’s doctor, don’t diagnose. Just don’t do it. Especially if you have been, er, examining a hypochondriac heiress and have just told her she will live. Who know what she will do! Her Night of Romance continues…
Mary Pickford: Tenement kid, daughter of an Irish cop. William Haines: Big brother of her arch-rival and a would-be gangster. Mary loves William. He thinks she’s a kid. However, when he is framed for the murder of Mary’s father, she is the only one who can save him. Haines and Pickford are cute as proverbial bugs (could they be anything else?) but the thin plot does not use them to their full potential.
Status: Missing and presumed lost
This odd revenge tale marked the screen debut of Broadway star Walter Hampden. He would make one more picture in 1917 and then not return to the movies until the 1930’s. He had supporting parts is several classics, including 1939 version of The Hunchback of Notre Dame and 1950’s All About Eve.
General: Sire, the peasants are revolting!
King: They certainly are.
The theme for this month is revolutions. I am going to be reviewing a selection of films that are set in times of political unrest. In the meantime, here are some revolutionary films I have already reviewed:
Ronald Colman has had a few in Her Night of Romance. And he just sold his house. And the new occupant has taken residence. And it’s Constance Talmadge, whom he has just dumped.
D.W. Griffith offers adventure, romance, exotic climes, a leering camera and Carol Dempster to the viewing public. The viewing public says: “Thanks but no thanks.” Carol is a zany teen determined to save her father from a murder charge in this kitchen sink (as in everything but) caper. Oh, Dad’s guilty, Carol just doesn’t want him arrested. Unlikable characters, an inexperienced leading lady and far too little Richard Barthelmess doom this picture. Dempster is good at the stunts. Acting, not so much.
Harry Leon Wilson is not a household name nowadays but back in the ‘teens and twenties he was a popular novelist and many of his books were adapted into movies. His books often featured prissy, emotionally immature heroes who were saved from their plights by spunky young ladies. (You can read my review of Wilson’s most famous novel, Merton of the Movies, here.) Oh, Doctor! was adapted in 1925 by Universal. The film starred Reginald Denny and Mary Astor.
“Not much. Not much at all. Just… a sleepwalker who does my bidding, up to and including murder!”
Before I get started, I think a little background is in order. Hopalong Cassidy holds a special place in my family. You see, as a kid, my mom had this:
Hobart Bosworth plays an old lighthouse keeper who has adopted the castaway, Baby Peggy. Local do-gooders are annoyed at his unorthodox parenting but he and little Peggy love one another. However, what will happen when Peggy’s real family comes to claim her? Sweet but never simpering. Heart-warming but never trite. This is family entertainment that the grown-ups can enjoy too. Highly recommended.
Ronald Colman is trying to beat a retreat in Her Night of Romance but a “fainting” Constance Talmadge has a grip on his jacket and she is not letting go!
I have had a few fellow bloggers ask some technical questions of me so I thought it would be fun to do a post all about my movie review method, such as it is.
Are the films that I review new to me or not? About 25% of the time they are. The rest of the time, they are films that I have seen before and filed away as to-be-reviewed. There are a few films that I have seen but do not plan to review for various reasons. However, generally speaking, if I watch it, I will eventually review it.
I always re-watch a film before I write a review. Memories are slippery things and there are always nuances and details that I had forgotten.
I am most likely to review American films of the silent feature period (1915-1929) but I like to step out of my comfort zone for variety. I try to balance my reviews between the famous and the lesser-known.
I usually take notes as I watch (or re-watch) the movie I am reviewing. Silent films take a lot of concentration, though, so most of my notes are 3-5 word reminders to bring out a particular element or to research a topic. For example, while I was reviewing The Bells, my notes were something like this:
Exact shot in Caligari
Research mesmerist role in play
Blood on snow, understated
And so forth.
If the film is based on a novel or play, I like to read the original source material, if it is available. One huge advantage is that most of the books that inspired silent films are in the public domain and are easy to access. Reading the original material gives me insight on what the scenario author was thinking and why they made the decisions that they did. I find that what they leave out is just as interesting as what they keep in. Plus, I have an excuse to read!
I also try to track down information on the making of the film. My best sources for this are autobiographies and interviews. I also look through my collection of scholarly works to see if film historians have insight on how the film was made. I try not to read other reviews of the film until after I have written mine because I don’t want to color my views.
I use WinDVD to capture sample images from films. I consider screen captures to be essential when reviewing silent movies. Silent cinema was such a visual medium and the pictures help the reader enjoy some of the beauties that these films have to offer. Naturally, these images are for the purpose of criticism and commentary.
I also use WinDVD to capture my GIFs and then I edit them in Photoshop. I try to find little moments that really capture the flavor of the film I am reviewing.
Read it out loud
This trick is often overlooked but incredibly valuable. I like to read whatever I write out loud. It helps me to get rid of awkward sentences and typos. It also helps me catch repeated words. Do I still make mistakes? Of course! But reading out loud helps me catch the major ones before I hit the “Publish” button.
Let it rest
I like to let my reviews rest for at least a week before I publish them. I am one of those people who does best with time to sort out thoughts and opinions. The extra rest time allows me to consider my review and to look at it with fresh eyes. Sometimes what seemed like a clever quip was actually a little mean. Sometimes a theme from the film that was not obvious at first becomes clear. Whatever the reason, I think that my reviews benefit from the resting period.
I generally have one month of posts written ahead of time. However, if a sudden whim overtakes me, I revise my schedule to accommodate it.
Status: Missing and presumed lost
Jack Pickford (little brother of Mary) stars with Olive Borden in this gangster film, his final motion picture appearance. With the success of Underworld, all things gangland were popular and profitable. The demand for the genre would, of course, only increase with the coming of sound and the introduction of Cagney, Robinson and Raft, among others.
I am very excited to announce a new feature for the site: After the Silents.
What is it? It will involve brief reviews covering sound movies that feature silent era performers and directors.
I got the idea for this feature in two parts. First, I noticed as I was doing research using sites like IMDB and Wikipedia that one phrase kept cropping up: “One of the few silent era performers to make it into talkies.” I read the phrase in dozens of articles in a row! Now anyone familiar with silent movies and early talkies knows that lots of silent era performers made the jump, albeit sometimes with diminished prestige. This “one of the few” talk may seem like a small issue but it bugged me all the same.
The second part of the idea came when Joey over at The Last Drive In asked me to join her William Castle Blogathon. William Castle, of course, made no silent films but I noticed that he had made quite a few films with actors who had been active in the silents.
Eureka! Why not talk a bit about films that featured former silent actors?
Here are my goals for this new feature:
- Introduce readers to a silent actor whose sound work has been forgotten
- Reacquaint readers with a famous sound-era actor whose silent work has been forgotten
- Help viewers dive into the silents. I think it is much easier for newer viewers of silents to enjoy them if they see one of their favorite sound-era performers.
I plan to keep reviews short and, after a brief review of the overall film, focus on the work of the former silent stars and director. I intend to review films that are either representative of the performer’s sound career or are the most famous sound films that they acted in.
My first after the silents review? Here’s hint:
Actually, this gives the whole game away but enjoy anyway! I will be posting it soon.
Oh, and if you blog, do be sure to sign up for that William Castle blogathon!
Gloria Swanson has a problem. Her husband, Thomas Meighan, has purchased her a negligee! The degenerate! And he listens to fox trot music, if you please! Thomas is soon driven into the waiting arms of Bebe Daniels. Realizing her mistake, Gloria dons designer duds in a bid to win him back. Cecil B. DeMille’s best marital comedy, it is spunky and fast-paced. Excellent performances by all the leads make the film memorable. Worth seeing for Bebe and Gloria’s costumes alone.
Lionel Barrymore is Mathias, a kindly Alsatian innkeeper who is being crushed by debt. Unable to deny his friends loans or his loving daughter small luxuries, Mathias is on the edge of destitution. When a rich man stops briefly at the inn (with a fortune in gold on his person), Mathias drunkenly robs and murders him. All his problems are solved. Except for that little thing called a conscience…
Continue reading “The Bells (1926) A Silent Movie Review”
If you are a fan of classic films, you have probably seen one of the Watsons in a movie. Mother, father and all nine children were involved in the motion picture industry from the moment it came to California. Coy Watson Jr. was the oldest of the Watson siblings and he made his acting debut in a Keystone comedy at the tender age of nine months! His siblings were (in birth order) Vivian, Gloria, Louise, Harry, Billy, Delmar, Garry and Bobs. Between them, the children appeared in over 1,000 films!
An author takes a job writing tales for the figures in a wax museum. What could possibly go wrong? Other than being dragged into his own nightmare world, of course.