Sessue Hayakawa deserves a lot of credit for moving film acting away from stagy gestures and toward more natural emotions. In this scene, he filled his mind with anger, acting with his eyes. He is electrifying, especially compared to his overacting co-stars. Even though The Cheat is (and was) an incredibly insensitive film, it is an amazing showcase for Mr. Hayakawa’s astonishing talent.
Jimmy Valentine (Robert Warwick) belongs to a gang of bank-robbers– his job is to crack safes and he is the best in the business. After a stint in Sing Sing, however, Jimmy sees the error of his ways and decides to live an honest life. However, his old nemesis Doyle (Robert Cummings), a surly detective, has a chance to haul Jimmy in on an old charge. Will Jimmy’s life of honesty go to waste? Or will he be able to bluff his way to freedom?
Status: Samuel Goldwyn donated a print of this film to the Metropolitan Museum of Art in 1956, it is the only known copy in existence. The film has been shown at festivals and special screenings but has never been released to the general public.
The film was praised for its original plot but it sounds fairly generic to me. Ronald Colman is a Spanish gypsy whose bride is abducted by a despotic duke. Wanting to exact vengeance, Colman steals the duke’s new bride, Vilma Banky. Three guesses as to how this one turns out.
However, what the plot lacks in originality, it seems to more than make up for in beauty and enthusiasm. Director George Fitzmaurice is best remembered for directing Miss Banky and Rudolph Valentino in Son of the Sheik, which was pretty similar material.
There’s a fine costume love story on view in “The Night of Love,” which presents Ronald Colman and Vilma Banky again in the best film they’ve appeared since “The Dark Angel.” Marked with fine photography, gorgeous settings and compact and stirring action it is certain to move any spectator, no matter how hard-boiled, to remark: “Here’s a picture!” It has been staged with a lavish hand but its expenditure is perfectly in keeping with its story of rich adventure in old Spain. This is one instance where the background doesn’t run away with the plot. There are such tales as this — and a few have served as themes to attract light opera lovers. What is sauce for the stage is also sauce for the screen. What really matters is that it tells its story with- out making heavy footprints around Robin Hood’s barn and tells it with moving scenes and gripping suspense. There is a lecherous duke who kidnaps a gypsy’s bride on her wedding night. She kills herself to escape him, whereupon the rogue of the open road vows vengeance. He exacts it by stealing the duke’s newest spouse and winning her love. That ‘s all there is to it, but before the ending arrives the spectator is in for a display of rich scenes and much excitement.
The Night of Love is full of beauty, emotional thrills, and good acting, and, praise be, it is a new story. Vilma Banky is ravishingly beautiful and Ronald Colman is the perfect gypsy hero. What a combination, those two. It’s a gypsy story of the seventeenth century, but do not let that stop you, for it grips you from the first foot of film until the last. It’s over all too soon. The tale is woven around the feudal right of the Duke of a Spanish province to hold all brides at his castle on their wedding day while the poor vassal groom gnashes his teeth in rage, and Montagu Love plays the Duke with such realism that you’re unhappy until the gypsy lover puts an end to his rascally life. George Fitzmaurice’s direction is exquisite. Don’t miss this.
Here’s hoping that the film is made more widely available soon!
This scene always kind of cracked me up. Agnes Ayres is not exactly clad for escape but then again, Rudolph Valentino isn’t really clad for pursuit. Knee breeches are just impractical in my opinion. Yes, I realize revolutions were fought and won in them but I dare say most gentlemen would prefer longer trousers. On the plus side, I totally love this impractical but stunning dress! Absolutely gorgeous.
On a side note, this scene reminded me of Norma Shearer lunging at the camera in the final scene of The Women.
I previously posted this in three parts. Here are all the story cards in one easy post.
Why bother to really watch a movie when you have all the tools on hand to pretend that you watched it! Here is the quick and easy guide to The Sheik, Valentino’s signature film (for better or for worse).
Him: You’re cute.
Her: I am culturally, morally and ethnically superior. (pulls gun)
Him: We can settle this debate in the desert– OF LOVE! (grabs her and carries her off to his tent)
Her: Unhand me, you brute! (starts crying)
Him: You shall be my bride, my little calzone!
Her: No, no, a thousand times no! (continues weeping)
Him: She’s upset? But why? Just for that, I’m picking out all her outfits for a week.
Her: Listen, Coco Chanel, I hate you and your stupid cigarette holder.
Him: But I can sing! La la la la la! And, my best friend is coming for a visit.
Her: That’s the last straw. I’m outta here. Oof! Or not.
Him: Hey, what’s the idea? If you had escaped, you would have gotten away!
Her: Just for that, I’m wearing my ugliest dress.
Him: Don’t be mad! I have a present for you! A gun! (gives her a gun)
Her: Golly, he’s not so bad after all.
Him: (to himself) Why isn’t it any fun to annoy her? I’m usually into that sort of thing.
Her: Help! Help! I’ve been kidnapped by someone less handsome than you!
Him: Unhand her, you brute! (gets bashed on head in the process)
Her: Thanks for saving me. Sorry they bashed you on the head and whatnot…
Him: And I’m not even an Arab really!
Her: Oh, you silly bunny! I knew the whole time you were Italian.
Boris Karloff is, of course, best known for his monstrous roles in films like Frankenstein and The Mummy. While his big break came in the talkies, Karloff was quite active in silent films as well. The Walking Dead came along after Karloff had found fame playing assorted creepy characters. While not his most famous film, it contains one of his best performances.
Why bother to really watch a movie when you have all the tools on hand to pretend that you watched it! Here is the quick and easy guide to Act I of The Sheik, Valentino’s signature film (for better or for worse).
Well, this has been on my chest for a while. Welcome to my new series. I am going to be reviewing talking pictures that are either about the silent era or that incorporate silent films into their story. I will review the film itself and then briefly discuss whether the film helped or harmed public perception of the silent era.
Well, you can’t accuse silent films of being all romance and honey, right? William Boyd has just saved Elinor Fair from being shot (he was supposed to do the shooting). She asks him why he saved her. He is not too happy with the situation so his answer is a bit brusk.
I mean, here he was, minding his own business, starting the Russian Revolution and now he’s stuck with some Czarist dame. See, the problem is that she is just too good at moisturizing and exfoliating and her skin was too nice to put a bullet hole through. It strikes me that perhaps the other Czarists should have considered some mud packs and body butters. It would have saved a whole lot of them from being shot.
(This is from Cecil B. DeMille’s 1926 hit The Volga Boatman.)
Mary Pickford is a naive city girl who journeys out to the redwoods to live with her uncle. What she doesn’t know is that her uncle is dead and a bandit (Elliott Dexter) has borrowed his identity as cover for his stagecoach robberies. The pair form an uneasy alliance. Mary has nowhere else to go and Elliott doesn’t dare let her leave since she can blow his cover. That romance in the title? Well, with a city girl and a bandit sharing digs, what do you think will happen? Continue reading “A Romance of the Redwoods (1917) A Silent Film Review”
This movie is sick. I’m just getting that out of the way now. Lon Chaney stars, Tod Browning directs. Could it be any other way? Lionel Barrymore steals Chaney’s wife and breaks his back. So Chaney drags himself off to Africa where he plans his revenge for eighteen years or so. It’s a sweaty, grimy and totally un-PC. Chaney is a deranged villain but he also gives one of his most heart-breaking performances. Seek out this twisted little gem if you have the stomach for it. If it were a dessert it would be:
A big part of Mary Pickford’s appeal was her way of taking realistic little moments from everyday life and turn them into amusing touches for her films. In this case, it’s the loose lock of hair that gets in the way just when you get your hands wet.
This is a Pollyanna-esque tale of a little shoeshine girl who brightens the lives of all she meets. For the record, Mary Pickford and I feel exactly the same way about Pollyanna (she annoys us) but I rather like Gladys Hulette, who plays the title character in The Shine Girl. (Get it? Get it? Cuz she shines shoes and brightens lives? Get it? Get it?)
The story is about a shoeshine girl who wins the love of a Children’s Court judge.
One of the interesting points about this production from the Thanhouser studios is that its scenario was written by Agnes C. Johnson, who is not only one of the youngest, but one of the few scenario writers exhibiting the spark of genius. Miss Johnson is but eighteen years old, and first attracted the notice of the writer through an artistic three-reel production entitled “The Window of Dreams.” While “The Shine Girl” could not be termed a powerful play, it represents an idea of great beauty. The character of the “shine” girl is of the positive, individual sort that is sometimes met with in the most unexpected places. Although this little girl’s vocation was that of a bootblack, she was not content with the mere shining of shoes. She was of a philosophic turn of mind, and believed among other things that sorrow had the same effect on people that show blacking had on shoes, it made them dark at first, but they polished up brighter after if had been rubbed on. She was also the very embodiment of the spirit of love as learned by her only pal Sally; and Sally, by the way, was a poor, sickly geranium, who consented to live only because the little “shine” girl carried her out of her dark corner into the sunshine whenever she ventured forth herself and considered it a privilege to clamber up fire escapes that Sally might drink in larger droughts of the life-giving elements.
This is an index to the nature of the “shine” girl, and early in life she found opportunities to shine human hearts as well as shoes. She also found her way, along with Sally, into the country where she believed the sun always shone through the kind heart of the Judge of the Children’s Court, whom she afterward rescues from committing a folly, and later marries.
Gladys Hulette has given a beautiful portrayal of the character of the “shine” girl , with A. Wayne playing opposite her as the judge. There are a few points at which the picture might be brushed into more professional shape, but here is no denying that the central idea has been clearly defined. Some off-shoots of the theme might have been strengthened in detail, and there may be a felling that the character of the Judge was not a well-balanced one and has been somewhat victimized in bringing about a dramatic climax. Nevertheless the production is distinctly human, clean and beautiful.
Agnes Christine Johnston was all of 20 when she wrote The Shine Girl. As predicted in the review, she did go on to great things. She wrote scenarios for beloved silent classics like Daddy Long Legs and Show People and enjoyed success in the talkies writing screenplays for the Andy Hardy series.
Taken as a whole, I would say that this is a production which will be decidedly satisfying with any audience, highbrow or lowbrow. It is sufficiently artistic to please the discriminating, and surely it has a good audience appeal because of the central thought. This is not a wonderful production technically, because of a few little things which hold it down in the ‘good’ class instead of allowing it to soar to great height, but it surely is a splendid audience film. When it comes to box-office appeal, I doubt whether Miss Hulette can pull you much business, unless you go out and aggressively boost this as an artistic, human presentation of a truly big idea. You can possibly arouse a lot of interest in this by announcing that it deals with the juvenile court problem, for this is a question of general interest. If you wanted to start a discussion, you might say in your ads, ‘Is it any worse to steal a man’s wife than it is to steal a loaf of bread?
I am curious to see this “clean and human” film. I certainly would like to see Gladys Hulette in an early role.
Louis Wolheim is one of my favorite silent character actors and he is hilarious in Tempest. This is his reaction when he sees that his best friend (John Barrymore) has found love– at the most inconvenient time possible.
I have branched into television! Action show 24 reimagined as a 1927 serial.
I must ask for more indulgence than usual with this poster. It is highly unlikely that top-tier actors would consent to appear in a serial. This is make-believe so I hope you forgive me. Rugged Milton Sills is just so perfect for the part! The bad guys won’t stand a chance and, best of all, he can act!
I was overwhelmed by the success of my previous post on blogging. The kind words from my readers were really a treat! So, like any good Hollywood producer would do, I have decided to opt for a sequel.
These are mistakes I have made myself and have seen others make. I use WordPress and will be heavily referring to their tutorial section but I think most of these ideas can work for any blogging platform. Here goes nothing!
Not using tags and categories
Uncategorized. What does that tell you about a post? Nothing. Thanks to social media platforms like Twitter, the hashtag (you know, #topic) has been helping people organize and comment on their content. That’s what the tags and categories in WordPress (or Labels on Google’s Blogger) do for you. Simply put, tags and categories make it easier for your readers to navigate your blog and read posts similar to the ones that they already enjoy.
Be default, WordPress will list your post as Uncategorized and tagless. We can’t have that! WordPress even has tutorials for adding tags and categories! There’s really no excuse not to use them.
What’s the difference between a Tag and a Category? Well, according to WordPress, a category is for the general topics of your blog, while a label is more specific. For example, if you run a craft blog and want to post an easy wool scarf pattern, you might use the Categories of Crafts and Knitting and use the Tags of Scarf, Easy, Wool and Knitting Pattern.
Don’t sweat too much about which is a tag and which is a category, just use a system that makes sense to you and that you think will make sense to everyone else. The main thing is that you not neglect your tags and categories.
Site analytics are a powerful tool. They tell you how many visitors came to your site, how many pages they viewed and which ones. If you want to know what gets counted and what doesn’t, WordPress has a handy guide. Almost every blogging service offers some sort of stats.
Here are some things that you can do with your site stats:
You can measure how engaged your readers are. How? Well, if your blog got 100 visitors but only 102 page views, that means the readers are only reading one or two pages before leaving. If your stats consistently show this, it may be time to consider livening up your content or providing interesting links that will encourage your readers to stick around.
Find out what features are a hit with your readers. A store owner would be a fool not to check what items are selling and what items are gathering dust on the shelves. Your site stats will tell you which post has received the most hits. Should you be a slave to your stats? Of course not, but why not to follow up a particularly successful post?
Discover who is referring people to your site. Sometimes, you will have a new fan outside of your blogging ecosystem and you won’t even know it until they link back to you. Follow up on referrer links and see if you can make new friends.
Pinpoint your blog’s slow days. Some bloggers report that they have low traffic on a particular day (often Saturday). I enjoy a healthy readership in time zones that are 8-9 hours ahead of me and this seems to prevent me from having a Saturday slowdown. However, it is worth checking out. After all, there’s no point in posting big news on a low traffic day.
But! (This is important) Don’t drive yourself crazy by constantly checking your traffic. Sometimes, you will just have a slow day because that’s how the world works.
Leaving on the default banner for your template
Okay, this may seem pretty minor but let me put it this way: If you buy a pretty picture frame, do you leave the generic images inside?
The banner is the first thing people see when they visit your blog. Even if your visitors don’t notice that it is generic, that banner is taking up prime real estate and not doing anything for you. Wouldn’t it be better to have a banner that communicates what your site is all about?
You can make a banner with Photoshop, Paintshop Pro, GIMP or even MS Paint! You know, the freebie that comes with Windows. What if you don’t have these programs and do not wish to learn? Just search for “banner maker online” and you will find numerous websites that can generate a custom banner for you. Or you can bribe your sister’s kid to make you one. Some brownies or a frappucino should do the trick.
WordPress has a handy tutorial for this too (the header, not the kid bribing.
Ernst Lubitsch directs this fractured fairy tale concerning a coddled young man who wants to avoid marriage at all costs– and he is willing to purchase an elaborate mechanical doll to pose as his wife. Petite charmer Ossi Oswalda co-stars as both the doll and the live girl it was modeled after. When the doll is accidentally broken, Ossi must take its place at the wedding. I can’t possibly imagine anything going wrong with this scenario. Continue reading “The Doll (1919) A Silent Film Review”
A lot of people have asked me where I watch my silent movies. Quite a few are from my personal DVD collection but I am a huge fan of streaming movies as well. In the world of subscription-based on-demand movie rentals, the three biggest players are probably Amazon Prime, Hulu and Netflix. However, any fan of a niche genre knows that the big boys are not necessarily the best place to look for more obscure treats.
Silent film fans, in particular, have to be wary of on-demand services. Between battered prints and so-so musical accompaniment, there is just so much that can go wrong with a silent viewing experience.
Fortunately, there are quite a few choices on the market and today I am going to review one of them. Here it is, a silent movie fan’s opinion of the on-demand movie service Fandor.
A quick note before I begin: I have a paid personal subscription to Fandor and all opinions are based on my experiences with that subscription. The long and the short is that I do not make any money from folks joining Fandor or Netflix or any other online rental service.
What is it?: Fandor specializes in films outside the mainstream. They have art house, foreign, classic B movies and, best of all, an enormous selection of silent films. Fandor licenses from silent powerhouses like Flicker Alley and Kino-Lorber, which means that the silent films they offer are the best available versions, not battered public domain prints.
Availability: Fandor is currently only available to users in the United States. The films may be viewed from a computer, Roku, iPad or iPhone. There is currently no Android app.
Price: Fandor currently costs $10 a month or $90 a year. There is a free two-week trial period available. You may also purchase a 3 day pass for $3.
What I like about it: Well, it has an unparalleled selection of silent films, first and foremost. It also features what is possibly the best browse function currently available (they call it Discover). Let me give you an example:
Let’s say you are in the mood for a crime film. You click the Crime genre. Then you get to choose the film by specific crime. Caper, murder, smuggling, courtroom, etc. You also get the choose the country of origin for the film and there are sliders that let you specify the year range of your search.
So here is what I got when I said I wanted a movie about murder made in Italy between 1950 and 1965.
Is that cool or what?
(You can also add film duration to the mix, if you like. Very useful when browsing for silent films as they can range from a few seconds to a few hours.)
The browse function is not quite as elaborate on the Roku but it still works quite well. I have not used the iPhone/iPad app, being firmly entrenched in the Android ecosystem.
What I don’t like about it: Even though I am overall pretty happy with Fandor, there are a few issues. First, the player seems to have trouble with the Chrome browser, causing an audio sync problem. As of this writing, Fandor is working on a test player to resolve the un-synced audio. Another issue is that when watching in a browser, the player will sometimes just lose your place in the film and start back at the beginning.
Another issue I have is that the player can enter full-screen mode but it does not shrink down. I like players that can shrink down to an itty bitty size so that I can watch in the corner while I am working on something else. This is a pretty specific use for the player so I am not complaining too much.
The verdict: I have had my subscription for a while now and am overall pleased as punch. There are minor issues but these are more than offset by the service’s advantages. If you are a silent movie fan and can only afford one online streaming service, Fandor is the one to get. The quality and selection are top notch and the wonderful Discover function is the icing on the cake.