Tempest (1928) A Silent Film Review

John Barrymore is a sergeant in the Russian army who dreams of winning an officer’s commission. But he hits a snag in the form of Camilla Horn, an imperious princess who seems to stumble him at every turn. Stripped of his rank, John goes a little mad and decides the Bolsheviks kind of have a point. The revolution is on, John is nuts, Camilla smolders and we have some grade-A entertainment.

No Shakespeare for you!

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Fun Size Review: Miss Mend (1926)

Soviet serial in the American style with a dash of German. It’s the tale of four California-born pals who uncover a nefarious plot to attack Russia with poisonous gas. A crazy-quilt of styles. It is a ton of fun to see how the west coast of the USA is portrayed in a film made 100% on Russian soil. Turnabout is fair play, Hollywood has made its share of Russian-set tales. Beautiful, strange and quite often wondrous.

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Silent Movie Bookshelf: Star Quality by Aurthur F. McClure and Ken D. Jones

I do so love my biographical collections! This one focuses on the stars of the 30’s, 40’s and 50’s but since a lot of those talented folks started in the silents, it is a great addition to my bookshelf. I highly recommend it for golden age film buffs as well. Actually, not just buffs. This book would be ideal for a newcomer to classic movie watching.

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Lost Film Files #17: The Amateur Gentleman (1926)

Status: Missing and presumed lost

This Richard Barthelmess vehicle was based on the 1913 novel of the same name by Jeffery Farnol. The novel told the tale of the son of a prizefighter who tries to break into English society in the Regency era. The silent era was not overly fond of Regency-era costume pictures (some were made but silents generally skewed Victorian and Elizabethan) so it would be fun to see how they handled this tale. Plus Richard Barthelmess is always a pleasure to watch.

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Fun Size Review: The Son of the Sheik (1926)

Valentino’s swan song and it is a humdinger, let me tell you. Rudy is back as both father and son, Vilma Banky is the leading lady, Karl Dane supports and Montagu Love provides the villainy. Plot stays pretty much the same as the first: Boy loves girl, boy kidnaps girl, boy loses girl, boy gets girl back again. Slicker, sleeker, smarter and more (intentionally) humorous than the first time around (though still not without its controversy). Showcases Valentino to perfection.

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Funny Lady Blogathon

For the very latest news, please visit the Blogathon Update Page!

Let’s all celebrate the feminine funnybone with the Funny Lady Blogathon. It will be held on June 29-30. The goal is to celebrate the wit and wacky ways of female comedians. This is a classic blogathon so any funny actress from the beginning of film to 1970 is eligible.

Here’s the skinny:

Who can join:

You can! All bloggers are welcome. There is no pre-event cutoff date. You can join right up to the first day of the Blogathon! (And maybe even after, we’re pretty casual in these parts.)

How to participate:

Pick a comedienne from pre-1970 cinema. Then have fun! Post an image gallery, review a film, write a biography, paint a picture, create a GIF, write a poem…

Your Funny Lady can be a dedicated comedienne (Mabel Normand, Beatrice Lillie) or a dramatic actress who also excelled in comedy (Katherine Hepburn, Carole Lombard).

There are a ton of funny ladies to choose from so I am asking for no duplicates, please. And I selfishly snagged Marion Davies for myself.

Need inspiration? Here are some unclaimed Funny Ladies: Marie Dressler, Bebe Daniels, Marilyn Monroe, Edna Purviance, Myrna Loy, Audrey Hepburn, Lupe Velez, Carole Lombard, Constance Talmadge, Dorothy Gish, Leatrice Joy, Margaret Sullivan.

If you are on Tumblr and deal exclusively in images and GIFs, simply tag your posts #funnyladyblogathon on June 29-30.

You can either leave a comment, tweet me @MoviesSilently or contact me via email to join in. And grab yourself a banner too.

There is no pre-event cut-off date for entries. I will be accepting new participants up to the Blogathon date.

Oops, I changed my mind!

No problem! Just contact me and let me know your new choice and I will update the roster.

I have arbitrarily divided the ladies into three categories covering the time when they did their most famous work. It’s just a guesstimate to keep things tidy so don’t be mad if I put someone in the wrong slot.

Blogs with direct links to the posts will be marked with an *

The Silent Ladies

*Movies Silently | Marion Davies in Show People + sundry GIFs

Comet Over Hollywood | Zasu Pitts

*The World’s Funniest Dissertation | Mabel Normand

*The Movie Rat | Louise Fazenda

*Noir and Chick Flicks | Clara Bow

*Family Friendly Reviews | Mary Pickford in My Best Girl

*A Modern Musketeer | Martha Sleeper

*A Mythical Monkey | Funny Ladies of the Silent Era: A Baker’s Dozen

The Golden Age, Thirties and Forties

*I Started Late and Forgot the Dog | Ginger Rogers

*Crítica Retrô | Rosalind Russell in His Girl Friday

*Girls Do Film | Katharine Hepburn in Bringing Up Baby

*The Vintage Cameo | Carmen Miranda

*Thrilling Days of Yesteryear | Thelma Todd

*Classic Movie Hub | Kathleen Howard

*I Humbly Suggest… | Irene Dunne

*She Blogged by Night | Margaret Dumont in Duck Soup

*Portraits by Jenni | Claudette Colbert in The Palm Beach Story

*Spoilers | Jean Arthur in The Public Menace

*Stardust | Una Merkel

*Close Ups and Long Shots | Jean Harlow

*Shadows and Satin | Isabel Jewell

*Love Those Classic Movies!!! | Billie Burke

*Film Flare | Barbara Stanwyck

*i luv cinema | Mae West

*Destroy All Fanboys | Betty Hutton The Miracle of Morgan’s Creek

Naughty Librarian | Miriam Hopkins

Sittin’ on a Backyard Fence | Myrna Loy

*Movie Classics | Margaret Rutherford in Blithe Spirit

*Let’s Go to the Movies | Carole Lombard

The Nifty Fifties and Swinging Sixties

*Motion Picture Gems | Marjorie Main

*Silver Scenes | Joan Davis

*Frankly My Dear | Lucille Ball

*The Kitty Packard Pictorial | Shirley MacLaine

*Once Upon a Screen | Gracie Allen

*The Great Katharine Hepburn | When Comedy Was Queen: The Women of the 1950s Sitcom

*Blame Mame | Jane Russell in Gentlemen Prefer Blondes

*Oh, Don’t Be Diriculous! | Doris Day

*Caftan Woman | Judy Holliday

*The Motion Pictures | Mary Tyler Moore

*Cindy Bruchman | Maureen O’Hara

*Cinemalacrum | Marilyn Monroe

Help Wanted: You choose my reviews!

As you recall, my theme month for June was chosen by my readers in a poll. Now I am going one step further. I am going to have an entire month in which I review nothing but reader requests!

Here’s how it works: Request a silent movie that you would like me to review. I will go through the requests and select 4-7 (depending on their length) for review.

The requests so far (please keep them coming!):

(I will update this section as I get more feedback)

My loyal subscriber Emma requested The Wizard of Oz (1925), widely considered the worst silent film ever made. She also requested The Married Virgin, The General and Sadie Thompson.

The Toronto Silent Film Festival requested The Adventures of Prince Achmed, JÁccuse and The Crowd (or anything directed by King Vidor). For comedy, Seven Years Bad Luck, Limousine Love and Putting the Pants on Phillip.

Terry of A Shroud of Thoughts requested some German horror: Nosferatu and The Golem.

Kendra of VivAndLarry.com requested Pandora’s Box.

Jessica of Comet Over Hollywood requested Red Lily.

Chris of StoryBox requested The Poor Little Rich Girl.

Danny of Pre-Code.com requested The Toll of the Sea.

Trevor of A Modern Musketeer requested Lizzies of the Field and His Prehistoric Past.

Paul on Twitter requested The Kid.

Barry of Cinematic Catharsis requested a Lon Chaney/Tod Browning collaboration.

Judy of Movie classics requested The Phantom Carriage.

Cindy Bruchman requested a Charlie Chaplin film.

Silent Beauties recommended two Danish films, Atlantis and The Abyss.

Michael on Twitter requested City Lights.

Jonathan Moya sent me a long list of fabulous recommendations. Here are the highlights (and the ones that are not either already reviewed or currently scheduled): Sunrise, Greed, Ben Hur, The Battleship Potemkin, The Hunchback of Notre Dame and A Woman of Paris.

Lindsey of The Motion Pictures requested HE Who Gets Slapped.

Jenni of Portraits by Jenni requested Broken Blossoms and White Shadows in the South Seas.

Subscriber Richard requested Les Vampires and Faust.

Jonathan on Twitter requested The General.

Thomas of We Want Hollywood requested Rubber Tires.

Noir Dame seconded Red Lily and Nosferatu. She also requested Sherlock Jr., The Plastic Age and a Talmadge sister title.

Aurora of Once Upon a Screen requested Romance of the Redwoods, the first of two Mary Pickford/Cecil B. DeMille collaborations.

Blog reader Suzanne requested The Last Command.

My подруга requested Seventh Heaven and The Unknown.

Blog reader Alex requested Diary of a Lost Girl.

David on Twitter requested Coeur Fidèle

Blog reader Cindy requested The Big Parade, A Woman of Paris or anything with Garbo and Gilbert.

My 오빠 requested Wild Oranges

Brandie of True Classics and Jill of Sittin’ on a Backyard Fence requested Silent Movie (1976)

How you can join in:

Use the comments or this handy contact box. I am also on the Twitter so you may tweet me. Be sure to mention if you have a blog or a website since I will give you a shout-out it if I choose your film request (assuming the content is SFW, of course). You can also request a genre or a performer, if you don’t have any titles in mind.

I should probably mention that I have a small list of films I will not be reviewing under any circumstances. Don’t worry, there are only two films on it. Just thought I would issue the warning.

Lost Film Files #16: Far From the Madding Crowd (1915)

Status: Missing and presumed lost

If ever there was a tale to showcase leading men, this is it. Thomas Hardy’s 1874 novel features three juicy parts for the boys: The flashy playboy, the mature stalker and the solid (and stolid!) suitor-in-waiting. There is also a doozy of a leading lady part and a few nice supporting roles for actresses as well.

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The Hessian Renegades (1909) A Silent Film Review

Still in his second year of directing, D.W. Griffith delves into the American Revolution in this early Biograph adventure film. An American courier is trying to deliver an important message to General Washington. He seeks refuge with his family but is soon found out and shot. His family must try to deliver his message and save themselves from the licentious Hessians, who include… Mack Sennett?
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Fun Size Review: Judex (1916)

Have a spare 5 hours? Sure you do! For this you do. Legendary French serial expert Louis Feuillade creates the crazy-addictive tale of a caped crusader, a vamping criminal mastermind and some really cute kids. Judex is a mysterious avenger out to right the wrongs performed by a corrupt banker. It starts with threatening notes and escalates to murder (or does it?). Fast, funny, exciting and highly addictive.

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Fun Size Review: Little Annie Rooney (1925)

Mary Pickford: Tenement kid, daughter of an Irish cop. William Haines: Big brother of her arch-rival and a would-be gangster. Mary loves William. He thinks she’s a kid. However, when he is framed for the murder of Mary’s father, she is the only one who can save him. Haines and Pickford are cute as proverbial bugs (could they be anything else?) but the thin plot does not use them to their full potential.

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Fun Size Review: The Love Flower (1920)

D.W. Griffith offers adventure, romance, exotic climes, a leering camera and Carol Dempster to the viewing public. The viewing public says: “Thanks but no thanks.” Carol is a zany teen determined to save her father from a murder charge in this kitchen sink (as in everything but) caper. Oh, Dad’s guilty, Carol just doesn’t want him arrested. Unlikable characters, an inexperienced leading lady and far too little Richard Barthelmess doom this picture. Dempster is good at the stunts. Acting, not so much.

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Silent Movie Bookshelf: Oh, Doctor! by Harry Leon Wilson

Harry Leon Wilson is not a household name nowadays but back in the ‘teens and twenties he was a popular novelist and many of his books were adapted into movies. His books often featured prissy, emotionally immature heroes who were saved from their plights by spunky young ladies. (You can read my review of Wilson’s most famous novel, Merton of the Movies, here.) Oh, Doctor! was adapted in 1925 by Universal. The film starred Reginald Denny and Mary Astor.

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Fun Size Review: Captain January (1924)

Hobart Bosworth plays an old lighthouse keeper who has adopted the castaway, Baby Peggy. Local do-gooders are annoyed at his unorthodox parenting but he and little Peggy love one another. However, what will happen when Peggy’s real family comes to claim her? Sweet but never simpering. Heart-warming but never trite. This is family entertainment that the grown-ups can enjoy too. Highly recommended.

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Silent movie review process

I have had a few fellow bloggers ask some technical questions of me so I thought it would be fun to do a post all about my movie review method, such as it is.

Film selection

Are the films that I review new to me or not? About 25% of the time they are. The rest of the time, they are films that I have seen before and filed away as to-be-reviewed. There are a few films that I have seen but do not plan to review for various reasons. However, generally speaking, if I watch it, I will eventually review it.

I always re-watch a film before I write a review. Memories are slippery things and there are always nuances and details that I had forgotten.

I am most likely to review American films of the silent feature period (1915-1929) but I like to step out of my comfort zone for variety. I try to balance my reviews between the famous and the lesser-known.

Note-taking

I usually take notes as I watch (or re-watch) the movie I am reviewing. Silent films take a lot of concentration, though, so most of my notes are 3-5 word reminders to bring out a particular element or to research a topic. For example, while I was reviewing The Bells, my notes were something like this:

Exact shot in Caligari

Research mesmerist role in play

Blood on snow, understated

And so forth.

Research

If the film is based on a novel or play, I like to read the original source material, if it is available. One huge advantage is that most of the books that inspired silent films are in the public domain and are easy to access. Reading the original material gives me insight on what the scenario author was thinking and why they made the decisions that they did. I find that what they leave out is just as interesting as what they keep in. Plus, I have an excuse to read!

I also try to track down information on the making of the film. My best sources for this are autobiographies and interviews. I also look through my collection of scholarly works to see if film historians have insight on how the film was made. I try not to read other reviews of the film until after I have written mine because I don’t want to color my views.

Screen captures

I use WinDVD to capture sample images from films. I consider screen captures to be essential when reviewing silent movies. Silent cinema was such a visual medium and the pictures help the reader enjoy some of the beauties that these films have to offer. Naturally, these images are for the purpose of criticism and commentary.

I also use WinDVD to capture my GIFs and then I edit them in Photoshop. I try to find little moments that really capture the flavor of the film I am reviewing.

Read it out loud

This trick is often overlooked but incredibly valuable. I like to read whatever I write out loud. It helps me to get rid of awkward sentences and typos. It also helps me catch repeated words. Do I still make mistakes? Of course! But reading out loud helps me catch the major ones before I hit the “Publish” button.

Let it rest

I like to let my reviews rest for at least a week before I publish them. I am one of those people who does best with time to sort out thoughts and opinions. The extra rest time allows me to consider my review and to look at it with fresh eyes. Sometimes what seemed like a clever quip was actually a little mean. Sometimes a theme from the film that was not obvious at first becomes clear. Whatever the reason, I think that my reviews benefit from the resting period.

I generally have one month of posts written ahead of time. However, if a sudden whim overtakes me, I revise my schedule to accommodate it.