It’s dark, it’s bloody, it’s scandalous! And, until now, it was unavailable the the general public. Behind the Door is an anti-German vengeance picture released a year after the end of the First World War.
Today, we are going to be taking a peek at a newcomer to the HD market: Grapevine Video. Grapevine is a longtime supplier of rare silent films and they have been in business since the days of VHS. They started offering Blurays last year and the current crop of new releases are all available on Blu for the first time.
Animated films are much older than most people realize and audiences of the silent era loved their cartoons just as much as modern moviegoers. Today, we’ll be unboxing two sets of cartoons with material dating from the mid-1900s to the early 1930s.
Kino Lorber and Lobster Films collaborated to release Buster Keaton’s restored shorts last year and they are now launching Keaton features into the region 1/A market. We’re going to take a closer look.
Kino Lorber and Lobster Films collaborated to release Buster Keaton’s restored shorts last year and they are now launching Keaton features into the region 1/A market. We’re going to take a closer look.
Welcome back! Today, we’re taking a look at the new edition of The Three Musketeers released by Undercrank Productions. This is a restored version with color tints and we all know how I feel about tinting.
A few years back, silent film accompanist Ben Model successfully crowdfunded a DVD release of silent films that are only known to exist as 16mm home theater editions. The release proved to be so successful that it spawned sequels and this is the fourth volume in the series. And there’s a twist! Instead of 16mm, the films in this collection are preserved in the European 9.5mm format.
John Ford’s final western comes to Bluray and we’re going to be taking a look at it! Saddle up, pardners.
Fritz Lang’s classic thriller, Dr. Mabuse, the Gambler, has made it to Bluray and we’re going to take a look at the details. As you probably know, Mabuse was a sensation and Lang would go on to direct sequels in 1933 and 1960.
More good news for Fritz Lang fans! Two of his important early works as director have been released on Bluray and I have all the details. Destiny (Der müde Tod) and The Spiders (Die Spinnen) show a young director rapidly finding his voice.
I have been looking forward to this one, believe you me! I have developed an interest in and taste for independent cinema of the silent era and this box set also highlights the intriguing history of African-American filmmakers from the silent era to post-WWII.
A brand new set of Buster Keaton shorts with new footage, restorations and scores? You’d better believe that’s going to make some waves. Let’s unbox this set and see if it lives up to our expectations.
Exciting news for Fritz Lang fans! Two of his genre films, Spies and Woman in the Moon, are about to be released on Bluray in North America with sparkling 2K transfers! Both discs will be available for sale on February 23, 2016 but I got an early peek and I’m sharing the experience with you.
Director Louis Feuillade is most famous for his stylish, anarchic serials featurig criminal masterminds, caped superheroes and crusading reporters. One of his most famous titles is Fantomas, which involves the titular supervillain and the intrepid policeman who pursues him. In celebration of the film’s 100th anniversary, it was given a 4K restoration. That restoration is finally available in North America. As always, thanks to Kino Lorber for the review copy.
F.W. Murnau’s final film, Tabu, has come to Blu-ray and we are going to be taking a look at this release. Murnau collaborated with docudrama master Robert Flaherty (Nanook of the North) to create a story of romance and colonization in Bora-Bora. As always, thanks to Kino Lorber for the review copy.
Here’s a fun one! After the success of his groundbreaking docufiction Nanook of the North, Robert Flaherty signed a deal with Paramount and then departed with his family to Samoa to once again capture a disappearing culture on film.
F.W. Murnau’s stylish classic has come to Blu-ray and we are going to be taking a look at this release. The film is also significant because it is always fun to see Emil Jannings and Camilla Horn’s work in German cinema. As always, thanks to Kino Lorber for the review copy.
One of the great frustrations that silent movie fans deal with is the number of films that were released on home media but have fallen out of print. The remaining copies are scooped up by scalpers who ask $60, $100, $200 for a single disc.
While she made more films in Hollywood, Louise Brooks’ reputation rests on the work she did with director G.W. Pabst in Germany near the end of the silent era. Now one of her most famous films is being released on Blu-ray and we’re going to take a sneak peek. As usual, thanks to Kino Lorber for the advance review copy.
The Phantom of the Opera is one of the most beloved and iconic silent films but, let’s face it, the home media releases have been a mixed bag. For every quality release, there have been several duds with faded, scratchy prints and unsuitable music.
Today’s unboxing involves a documentary film from 1924, which chronicles an ill-fated attempted to reach the summit of Mount Everest, a mission that would cost two mountaineers their lives. The Epic of Everest was recently restored and is now available to the general public for the first time.
Welcome to another unboxing post! Today, we are going to be taking a close look at Flicker Alley’s Blu-ray release of Dziga Vertov’s intriguing cinematic contributions.
The House of Mystery is one of the most exciting silent film releases to come along in ages. This serial has been knocking ’em dead on the film festival circuit for a while but this is the first time it has been available to the general public since its release over ninety years ago. And don’t let the word “serial” put you off. Instead, think of The House of Mystery as a very fine miniseries, the kind that sweeps award shows.
I am pretty excited about this new restoration, let me tell you. The Cabinet of Dr. Caligari is an astonishing film, a revered classic that more than lives up to its reputation. Yet, let’s be honest, the home media releases for this film have not been exactly pristine.
Available on DVD & Blu-ray.
Battered prints, marred by dust, streaks and lines have been the rule for bargain and more expensive releases. Even the best prints released have been a bit shabby and they have long been the only available ways to see this movie. I don’t mean to be a complainer but I have always felt that Caligari deserved better.
Fortunately, I was not the only one wishing for a restored film.
Our friends in Europe have been hard at work restoring an original camera negative (with 35mm prints filling in the gaps) of The Cabinet of Dr. Caligari and it is finally getting a U.S. release on Blu-ray, courtesy of Kino Lorber. (The restoration is also available on DVD but I will be focusing on the HD version in this review.)
I dare say that most film buffs have seen this film but never before in this quality.
Oh, and I am reviewing the new disc release, not the film itself. For my review of the film’s artistic merit (spoiler: I like it) please check out my movie review here.
Just take a gander at this trailer!
The introduction states that the first reel of the camera negative was missing and the lost material was restored using release prints. As no German distribution prints exist, the tinting was based on Latin American prints, believed to be the earliest surviving material. Here is what the first reel looks like:
Pretty darn good.
And here is the restored camera negative:
The release comes with your choice of two scores. There is the orchestral version performed by the Studio For Film Music at the University of Music, Freiburg. You can hear a taste in the preview clip. I loved the score. Caligari scores too often head in a discordant direction but this one manages to have a smart blend of melody and dissonance.
The other score is a trippy, almost perky, electronic affair from Paul D. Miller, aka DJ Spooky. I tend to like non-traditional scores but I definitely prefer the main score in this release. However, I do appreciate being given a choice.
The biggest extra is the 52-minute documentary, Caligari: How Horror Came to Cinema. I also rather enjoyed the two sets of comparison clips included to show how the restored Caligari compared to original footage and previous restorations.
Yes, this is easily the best home media release for The Cabinet of Dr. Caligari. I cannot recommend it enough. Buy it for yourself or the film buff who has everything. I am also pleased that Kino Lorber made this restoration available in both standard and HD formats, ensuring that almost everyone can enjoy this pristine experience.
Even if you have never heard of Verdun, visions d’histoire, chances are you have seen clips of it. The epic French retelling of the Battle of Verdun was so accurate and so dramatically filmed that footage has been used repeatedly in documentaries of the First World War– sometimes even being presented as actual war footage!
Available on DVD.
It’s not surprising, really. Verdun was designed to recreate history using the very latest motion picture technique and technology. Accuracy was paramount. Real locations were used. Real soldiers were used as extras. Military commanders reprised their roles of a decade before. Though militarily accurate, the film is not jingoistic. It has a pacifist message: the Germans were human too.
Like so many other silent films, only a truncated version survived. The recovery of the complete print of Verdun is fascinating tale in itself. The film had been seized by the Germans during the Second World War but was then captured by the Russians when they entered Berlin. It was taken back to Moscow where it waited in a vault before a copy was obtained by the modern French rights holder.
Restored in 2006, the film has finally been released on home media in time for the centennial year of the start of WWI.
(Please note that I am just reviewing the DVD release of the film, I will be reviewing the actual film in detail later.)
The disc includes the restored print of the 1928 film Verdun, visions d’histoire. In addition, there is a featurette on the restoration process, the film itself and a short film about Verdun edited from archive footage by the Film Department of the French Army.
Verdun is the main event, of course. The restoration looks great (though small flaws remain in the film, scratches and dust, etc.) and the picture is accompanied by a piano score by Hakim Bentchouala Golobitch.
The intertitles are in the original French with optional subtitles in English, German, Spanish and Japanese.
Restoring Verdun is a 14-minute short detailing the process of recovering and restoring the film. While not heavy on technical detail, it concisely shows the challenges of taking on a restoration project of this scale.
It is in French with optional subtitles in English only.
Visions of Verdun is another 14-minute short. It details how the film came to be and its modern appeal, as well as background on the director, Leon Poirier.
Again, the featurette is in French with optional English subtitles.
Finally, there is the little-known film The French take their revenge in Verdun. It provides a fascinating contrast between the real archive footage and the recreated battles in Verdun. Unfortunately, ECPAD, which holds the print, found it necessary to have their watermark in the upper left corner of the entire film. This is highly distracting.
The navigation page is simple and easy to get around. (Thank goodness crazy elaborate menu screens in general have gone the way of the dodo.)
Verdun is not for everyone. It is intense, heavy and deep. However, it is really essential viewing for students of war history and anyone interested in the evolution of war on film. A masterpiece that was well ahead of its time, we are fortunate to be able to enjoy it in the comfort of our own homes.
Verdun, Looking At History has been released on DVD by Carlotta Films in association with Kino Lorber.
The popular narrative regarding film comedy is that funny movies started out with coarse slapstick and slowly evolved into something a little more refined. Well, that’s all poppycock and my evidence is Max Linder, a sophisticated French comedian who has just received a spiffy new collection as part of Kino Classics’ ongoing Slapstick Symposium series.
DVD release on May 27, 2014.
For those of you who are unacquainted with Max, I will allow Charlie Chaplin to introduce him:
“The one and only Max, The Professor, From his Disciple, Charlie Chaplin.”
-Inscription on a photo presented to Linder.
Linder is witty, his films are so light that they practically float, he is both mad and charming. While other sets focus on Linder’s career in France, this disc is all about his work in America.
While this collection is just a single disc, it is packed with three complete Linder features and one of his shorts.
All of the features run about an hour in length, making them good choices as an opener for a silent movie night. These pictures are from Linder’s time in America, not his pre-war work in France.
The Three Must-Get-Theres is a send-up of The Three Musketeers. The punny title works better if you say it with a bad French accent. The film has been released on DVD before but its source print was extremely battered. This release makes use of a very nice tinted print, making this a huge upgrade in quality.
Without a doubt, the highlight for silent film collectors is the complete version of the feature film Be My Wife. A very funny excerpt was included in the Slapstick Encyclopedia box set and our appetites were thoroughly whetted. Well, here is the entire film, newly restored.
Seven Years Bad Luck is probably Linder’s most famous and most widely available feature. It contains the mirror gag that the Marx Brothers would make legendary in Duck Soup.
Max Wants a Divorce is the lone title on the disc that comes from Max’s 1916-1917 tenure at Essanay, where he was treated as a kind of Chaplin replacement. It is interesting in that it features the unfortunate Martha Mansfield, who was killed in a freak accident on the set of The Warrens of Virginia in 1923.
With all four films, the print quality ranges from good to excellent.
As usual, one of the main reasons to recommend a name brand silent film release is the quality of its music.
The Three Must-Get-Theres has a spunky and humorous score composed by Maud Nelissen.
Be My Wife has a sprightly piano score by Eric Le Guen.
Seven Years Bad Luck‘s score is arranged by the marvelous Robert Israel.
Max Wants a Divorce has an enthusiastic piano score by Donald Sosin.
All of the scores are enjoyable, appropriate and add considerably to the charm of these comedies.
Standard DVD case.
Keeps things simple. Play All or select the film of your choice. No problems here.
Yes, the complete version of Be My Wife and the high-quality of The Three Must-Get-Theres makes this must-buy for Linder fans.
Dr. Jekyll and Mr. Hyde was John Barrymore’s breakthrough vehicle and is one of the most acclaimed American silent horror films. However, purchasing the film on home video has been a bit of a daunting task. There are dozens of versions available in varying lengths and image quality. Today, we are going to be taking a look at Kino Lorber’s upcoming deluxe edition.
Dr. Jekyll and Mr. Hyde (1920) John Barrymore (You can read my review of the film here.)
Dr. Jekyll and Mr. Hyde (1912) James Cruze
Dr. Pykle and Mr. Pride (1925) Stan Laurel
15-minute cut of the rival 1920 version starring Sheldon Lewis.
Note: This edition contains most of the extras that were included in the 2001 DVD release with one notable addition, future director James Cruze’s 1912 version. The story is abbreviated (it is a one-reel film) but its enthusiasm is charming. I thoroughly enjoyed it.
The same cannot be said of the rival 1920 version. Sheldon Lewis is no John Barrymore and the whole film has a thrown-together vibe. Mr. Hyde stalks through the… sunny afternoons of New York? Normally, I would prefer to see the entire film rather than a 15-minute cut but I think the excerpt was a good call. Watch it to build even more appreciation for Barrymore and to get the jokes contained in Dr. Pyckle and Mr. Pride, the Stan Laurel-helmed spoof.
Dr. Pyckle is one of my favorite examples of Laurel’s solo work. I love how he turns Mr. Pride into a petty miscreant. Pride’s crimes include stealing ice cream from a child, tricking a gentleman into a Chinese finger trap and popping an inflated paper bag behind a young woman.
The film is accompanied by an excellent score composed by Rodney Sauer and performed by the Mont Alto Motion Picture Orchestra. The extra features are accompanied by solo piano.
Standard Blu-ray case.
Excellent. Loads quickly and very easy to find your way around.
How does it measure up to the 2001 Kino release?
While the 2001 Kino version was the handsomest edition available when it was released, it did have a few minutes of footage missing from the print, with the film clocking in at 73 minutes. The new 2014 edition has restored that footage and comes in at 79 minutes.
I must emphasize that the previously missing material does not directly affect the story but it does flesh out some elements. You will notice it the most in the poison ring scene. Nita Naldi narrates the tale of her Italian ring with a compartment for poison, which leads to a historical flashback of the ring in use. The old version showed a man being poisoned and a jester looking on with glee. In the new version, we see how and why the poison was used, which makes Jekyll’s use of the ring at the climax much clearer.
Overall, I am very happy with the upgrade in image quality that the Blu-ray edition brings.
Yes! This version of Dr. Jekyll and Mr. Hyde is easily the best available on the market. The addition of missing footage, high-definition transfer and the inclusion of the 1912 version make this a worthy upgrade. I reviewed Blu-ray edition but the deluxe release also available on DVD. It will be released on January 28, 2014.
I’m back with another installment of Unboxing the Silents. I usually reserve this feature for box sets of silent films but I decided that this single-disc release has enough content to warrant coverage here. As usual, I am reviewing the collection itself, not the individual films. Ready? Let’s go!
What is it?
The official DVD release of the acclaimed 2012 documentary on Baby Peggy, one of the first child superstars and one of the last surviving silent performers.
The disc also includes Baby Peggy’s charming 1924 feature Captain January (you can read my review here) and three of her short films. This marks the first time that Baby Peggy’s films have been made available to the general public in a high-quality, pressed DVD release.
Who released it?
Baby Peggy: The Elephant in the Room, documentary (2012)
Captain January, feature (1924)
Carmen Jr., short (1923)
Peg O’ the Mounted, short (1924)
Such is Life, Short (1924)
Slideshow of Baby Peggy photos set to That’s My Baby
The disc comes in a standard plastic DVD case.
The menu is animated but loads quickly and is easy to get around.
Captain January features a piano score by Donald Sosin. The three short films have piano scores by Guenter Buchwald. The music for the slideshow is performed by Donald Sosin and Joanna Seaton.
Price per Movie
The DVD has a retail price of $29.95 (though it can be found on sale from various online vendors). Counting the shorts as one film, that comes out to $10/movie.
Yes! The documentary/movie combination is a great way to meet Baby Peggy. If you do not enjoy the child stars of the talkie era, I think you will be pleasantly surprised by the charm of the silent kids.
This is an overview of the box set itself. I will be reviewing the films in the set individually at a later date.
What is it?: A box set of five film created by talented Russians who fled the revolution and settled in France. It features three films that star Ivan Mosjoukine, who was enormously popular in Europe and whose French work has never before been widely available to US audiences. (Mosjoukine’s first and only American film, Surrender, was not really the best showcase for his talents.)
Who released it? Flicker Alley
Le Brasier Ardent (The Burning Crucible), 1923
Feu Mathias Pascal (The Late Mathias Pascal), 1925
Les Nouveaux Messieurs, 1928
Packaging: The discs are held in a plastic multi-disc case inside a cardboard slipcover. The set also includes a 28-page color booklet detailing the films and featuring vintage stills and marketing materials. I should note that the discs were loose in their case when they arrived but they were not scratched.
Navigation: Each disc has a simple, easy-to-navigate menu. Nothing fancy (thank goodness!) just functionality.
Music: Each film is scored by a different accompanist. The Burning Crucible by Neil Brand, Kean by Robert Israel, The Late Mathias Pascal by Timothy Brock, Gribiche by The Mont Alto Motion Picture Orchestra and The New Gentlemen by Antonio Coppola.
Notes: The films are presented with original French intertitles and optional English subtitles.
This box set contains films that have been on the wishlists of movie buffs for some time. I am looking forward to reviewing them.
Availability: Currently available on DVD.
This is a review of the box set itself, look for reviews of the individual films down the road.