Peck’s Bad Boy (1921) A Silent Film Review

Fresh off his wildly successful debut opposite Chaplin in The Kid, Jack Coogan starred in an adaptation of the popular Peck’s Bad Boy stories, which concerns the antics of a child who can charitably be described as the devil’s spawn. If this film proves one thing, it’s that our definition of a “bad boy” has changed enormously since 1921.

I will also be reviewing the 1934 remake starring Jackie Cooper and Thomas Meighan. Click here for the talkie.

This post is part of the They Remade What?! Blogathon. Read the other great posts here.
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The Enchanted Cottage (1924) A Silent Film Review

Richard Barthelmess plays Oliver Bashforth, a veteran of the First World War whose body was mangled beyond repair in the conflict. Trying to escape his overbearing and insensitive family, he takes a cottage in the country. In order to create a further buffer, he enters into a marriage of convenience with a homely local woman. But the cottage seems to have something magical about it and soon love and healing are in the air.

I will also be reviewing the 1945 remake starring Robert Young and Dorothy McGuire. Click here to skip to the talkie.
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The Forty-First (1927) A Silent Film Review

One of my favorite love stories! (What does this say about me?) She’s a sniper with forty kills to her name. He’s an enemy officer who is targeted as her forty-first. One missed shot later, the officer is not dead but a prisoner. Do I even need to say that a dark romance is in the offing? A gritty tale of revolution and class divide, this is a lesser-known picture from the legendary Yakov Protazanov, best remembered today for the pioneering Aelita, Queen of Mars.
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The Four Feathers (1929) A Silent Film Review

The oft-filmed tale of an Englishman who is branded a coward and spends the rest of the film proving that he most assuredly is not. This version (released at the height of the sound transition) was one of the very last silent movie hits. It also features William Powell and Fay Wray before they hit the big time and it is directed by a couple of guys mostly known for making a film about a really big ape…
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The Canadian (1926) A Silent Film Review

She’s a sophisticated English girl. He’s a rough-hewn Canadian wheat farmer. She needs a place to go. He needs a wife to help out at the farm. They soon find themselves in a marriage of convenience and then things take a turn for the dark. Underrated upon its initial release, this film has started to build quite a reputation for itself since its rediscovery.
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Seven Keys to Baldpate (1917) A Silent Film Review

George M. Cohan tries his hand at the silent screen in this adaptation of his hit play. He plays a schlock writer who wagers he can create work of literature in 24-hours. Our hero goes to an isolated and deserted inn to work but of course you know he will be interrupted. By a reporter. And criminals. And a crazy hermit. Who steals corpses. Because.

I shall also be covering the 1983 remake, House of the Long Shadows. Click here to skip to the talkie.

Home Media Availability: Released on DVD.

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Michael Strogoff (1926) A Silent Film Review

One of the finest, best-acted and most beautiful mega-epics ever made, Michael Strogoff has catapulted to the top of my favorites list. The compliment is not given lightly. Jules Verne’s red-blooded Siberian adventure comes to life in a lavish screen adaptation. Massive in scale, the film still manages to keep sight of its humanity. It also boasts imaginative editing, skillful performances, innovative camera work and gorgeous tinting and stencil color.
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Surrender (1927) A Silent Film Review

He’s a Cossack prince. She’s the rabbi’s daughter. Can they find love? Also, the hero is a tad bit genocidal. Yes, that is the plot. The unusual duo of Mary Philbin and Ivan Mosjoukine (in his only Hollywood appearance) are star-crossed lovers in this Great War romance. It boasts superb cinematography but the story? Oh my. The main conflict: You always blackmail the one you love.

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Cyrano de Bergerac (1925) A Silent Film Review

The famous tale of Cyrano de Bergerac is lavishly adapted for the silent screen, complete with stencil color. The story has been lifted so many times for romantic comedies that it almost needs no introduction: Cyrano, brilliant but marred by an outlandishly large nose, loves the beautiful Roxane. She, however, loves the handsome but vapid Christian. Can the two men combine to become the perfect lover?

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Scaramouche (1923) A Silent Film Review

Featuring the famous opening line, “he was born with the gift of laughter and a sense that the world was mad,” Scaramouche is the tale of Andre-Louis,  a young lawyer (Ramon Novarro) who seeks to revenge the murder of his best friend at the hands a heartless aristocrat (Lewis Stone). To further his ends, Andre-Louis becomes an actor, a fencing master and, finally, an architect of the French Revolution.
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The Mark of Zorro (1920) A Silent Film Review

Douglas Fairbanks stars in the very first Zorro movie. The tale is familiar: Zorro is a Californian Robin Hood, who robs from the rich, gives to the poor, fights oppression, romances the beautiful Lolita and does battle with the villainous Captain Ramon. And, this being a Fairbanks vehicle, there is quite a lot of leaping about in the bargain!
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