A pianist’s hands are crushed in an accident but worry not, the fresh corpse of a murderer is on hand to donate brand new ones. I mean, it’s not like stitching on a murderer’s hands will make someone commit murder, right? Right?
Maggie, the eldest daughter of a successful boot merchant, decides that she will not go quietly into spinsterhood and instead marries one of her father’s bootmakers and goes into business for herself. Based on of the most delightful comedy plays England has produced.
Rather Dickensian even for Dickens, the grim novel Nicholas Nickleby gets the movie treatment in this two-reel Thanhouser adaptation.
Pioneering animator Lotte Reiniger takes on one of the world’s most famous fairytales and makes it her own with her signature silhouette animation technique.
A miller loses his livelihood and self-respect when he descends into alcoholism, egged on by his business partner who just happens to own the local bar. A rare chance to see a performance by Charles Gilpin and one of only two films made by the Colored Players Film Corporation of Philadelphia to survive.
A rare Lubin feature film about a young woman who goes west and ends up being forced to marry an alcoholic mine owner. Based on a smash hit play from the same era, this film was hailed as one of Lubin’s best.
Gertie’s got a garter but now she needs to unload it for reasons. Marie Prevost and Charles Ray star as the ex-couple that is still bound together by a garter. It’s a lot less wild than it sounds.
Stan Laurel and Oliver Hardy share the screen as true co-stars for the first time in this long-lost comedy short. The boys play hobos who hide out in an empty mansion to evade a firefighting draft and then must deal with prospective renters. If this sounds familiar, it is. Laurel and Hardy remade it as Another Fine Mess.
Lon Chaney plays a ventriloquist-turned-criminal who joins forces with two other sideshow performers to open a pet shop and steal jewels. Just go with it. Chaney reunited with director Tod Browning for this strange crime drama.
Alfred Hitchcock’s triumphant return to murder and mayhem is both his final silent film and his first talkie. Anny Ondra plays a nice kid who stabs a guy to death in his bed. These things happen. Originally conceived as a silent film, Hitchcock made it a talkie with reshoots and a new voice for his Czech leading lady.
Jules Verne’s legendary nautical science fiction tale was adapted in grand style by Universal, complete with underwater photography and billed as the “First Submarine Photoplay Ever Filmed” by the proud studio.
Continue reading “20,000 Leagues Under the Sea (1916) A Silent Film Review”
I have a bone to pick with this film but I think I’ll have to get in line behind its star, John Gilbert, its screenwriter, Frances Marion, and one of its ex-directors, Victor Tourjansky. MGM’s attempt to simultaneously film Leo Tolstoy and Jules Verne results in a rather uneven picture that plunges into plagiarism. Wheeee!
Continue reading “The Cossacks (1928) A Silent Film Review”
Stan Laurel is hired by Priscilla Dean to romance her and make her husband jealous. Stan’s career as a lothario is hampered by the family butler (Oliver Hardy), a violent bully who intends to get rid of the interloper by any means necessary.
A pair of siblings go on a magical journey accompanied by sentient kitchen objects (bread, sugar, milk, etc.) in search of the blue bird of happiness. Director Maurice Tourneur brings his usual visual flair to the proceedings.
Polly is a spunky circus lass who falls off her horse and into the waiting arms of the local minister. Tongues wag, of course, but can this mismatched couple find true happiness? A heaping helping of nostalgia with Mae Marsh’s winsome orphan routine thrown in.
Fresh off his wildly successful debut opposite Chaplin in The Kid, Jack Coogan starred in an adaptation of the popular Peck’s Bad Boy stories, which concerns the antics of a child who can charitably be described as the devil’s spawn. If this film proves one thing, it’s that our definition of a “bad boy” has changed enormously since 1921.
I will also be reviewing the 1934 remake starring Jackie Cooper and Thomas Meighan. Click here for the talkie.
This post is part of the They Remade What?! Blogathon. Read the other great posts here.
Continue reading “Peck’s Bad Boy (1921) A Silent Film Review”
Religion. Politics. Chariot races. Pirates. Ben-Hur the novel has all the ingredients to make a great film. The 1959 version is the most famous but the 1925 film is the one that got it right. Big, beautiful and an epic’s epic, what’s not to love?
Continue reading “Ben-Hur (1925) A Silent Film Review”
Richard Barthelmess plays Oliver Bashforth, a veteran of the First World War whose body was mangled beyond repair in the conflict. Trying to escape his overbearing and insensitive family, he takes a cottage in the country. In order to create a further buffer, he enters into a marriage of convenience with a homely local woman. But the cottage seems to have something magical about it and soon love and healing are in the air.
I will also be reviewing the 1945 remake starring Robert Young and Dorothy McGuire. Click here to skip to the talkie.
Continue reading “The Enchanted Cottage (1924) A Silent Film Review”
Ivan Mosjoukine, Betty Amann, and Lil Dagover directed by Alexandre Volkoff in a Tolstoy adaptation? Who do I have to kill? No one, as it turns out. This is the cast and director of The White Devil, one of the last major silent films to be produced in Germany.
One of my favorite love stories! (What does this say about me?) She’s a sniper with forty kills to her name. He’s an enemy officer who is targeted as her forty-first. One missed shot later, the officer is not dead but a prisoner. Do I even need to say that a dark romance is in the offing? A gritty tale of revolution and class divide, this is a lesser-known picture from the legendary Yakov Protazanov, best remembered today for the pioneering Aelita, Queen of Mars.
Continue reading “The Forty-First (1927) A Silent Film Review”
Constance Talmadge is married to Ronald Colman. While some women would kill for that problem, Connie is all set to run home to mother. She changes her mind when she has a chance meeting with her identical twin sister, a famous and famously sexy dancer. The women trade places and poor Ronald has no idea what hit him.
Continue reading “Her Sister from Paris (1925) A Silent Film Review”
The oft-filmed tale of an Englishman who is branded a coward and spends the rest of the film proving that he most assuredly is not. This version (released at the height of the sound transition) was one of the very last silent movie hits. It also features William Powell and Fay Wray before they hit the big time and it is directed by a couple of guys mostly known for making a film about a really big ape…
Continue reading “The Four Feathers (1929) A Silent Film Review”
An abused waif, a handsome prince and a tiny glass slipper. I think pretty much everyone is familiar with this one. One of the most famous fairy tales of them all is given the Mary Pickford touch in this 1914 fantasy. Her Prince Charming is played by Owen Moore. In real life, he was anything but.
Continue reading “Cinderella (1914) A Silent Film Review”
She’s a sophisticated English girl. He’s a rough-hewn Canadian wheat farmer. She needs a place to go. He needs a wife to help out at the farm. They soon find themselves in a marriage of convenience and then things take a turn for the dark. Underrated upon its initial release, this film has started to build quite a reputation for itself since its rediscovery.
Continue reading “The Canadian (1926) A Silent Film Review”
George M. Cohan tries his hand at the silent screen in this adaptation of his hit play. He plays a schlock writer who wagers he can create work of literature in 24-hours. Our hero goes to an isolated and deserted inn to work but of course you know he will be interrupted. By a reporter. And criminals. And a crazy hermit. Who steals corpses. Because.
I shall also be covering the 1983 remake, House of the Long Shadows. Click here to skip to the talkie.
One of the finest, best-acted and most beautiful mega-epics ever made, Michael Strogoff has catapulted to the top of my favorites list. The compliment is not given lightly. Jules Verne’s red-blooded Siberian adventure comes to life in a lavish screen adaptation. Massive in scale, the film still manages to keep sight of its humanity. It also boasts imaginative editing, skillful performances, innovative camera work and gorgeous tinting and stencil color.
Continue reading “Michael Strogoff (1926) A Silent Film Review”
He’s a Cossack prince. She’s the rabbi’s daughter. Can they find love? Also, the hero is a tad bit genocidal. Yes, that is the plot. The unusual duo of Mary Philbin and Ivan Mosjoukine (in his only Hollywood appearance) are star-crossed lovers in this Great War romance. It boasts superb cinematography but the story? Oh my. The main conflict: You always blackmail the one you love.
Pola Negri plays a hotel chambermaid who finds herself the accomplice of an Austrian officer trapped behind enemy lines. There are spies, an assassination and much skulking about the corridors of the titular hotel. This was one of the biggest Hollywood hits for both Negri and director Mauritz Stiller.
Continue reading “Hotel Imperial (1927) A Silent Film Review”
Think Chicago started as a 1970’s musical? Think again! The original play by Maurine Watkins was filmed twice before it was ever a musical, once as a silent and once as a talkie. Juicy though the story of murderesses and corruption was, the behind-the-scenes action was just as intriguing.
An upstart studio arrived in Hollywood and made this 1914 oater. The film is about a British gent who takes the blame for a crime and heads out west. He romances and marries a Native American but finds himself conflicted when an opportunity arises to go back home to England. The film is also notable as the directorial debut of one Cecil B. DeMille.