When a baby is kidnapped, it’s up to the family dog to save the day! An early entry in the Heroic Dog genre of motion pictures, this British production has charm to spare.
Jetta Goudal and William Boyd are an aristocratic pair on the outs. Angered by his rejection, Goudal plays a cruel joke on her ex-fiancé—she sets him up with a “lady of the pavements” (Lupe Velez) gussied up as a lady of quality. D.W. Griffith’s final silent film.
A burglar attempts to rob a New York high rise but he didn’t count on angry women armed with brooms catching him in the act. Very early film from the Vitagraph company.
After months of heavy rainfall, Paris found itself underwater during the winter of 1910. This rare footage was recently rediscovered and it showcases everyday life in the flooded city.
Continue reading “The Seine Flood (1910) A Silent Film Review”
Germaine Dulac examines the thoughts, dreams and homicidal tendencies of a woman trapped in a marriage with a buffoon. Gorgeously shot and imaginatively directed, this is a must-see.
A young Russian official awakens to find that his nose is missing. He then discovers that it is not only alive and well, it is wearing a splendid cape and has a higher rank in the civil service than he does! An adaptation of Gogol’s absurdist classic using the pinscreen animation of Claire Parker and Alexandre Alexeieff.
What do you do with an insistent photographer? Eat him and his camera, of course! A darling and somewhat twisted little trick film comedy from Britain.
A certain gentleman with an unnatural beard pigment marries for the eighth time but things go sour when the new bride discovers what happened to the other seven Mrs. Bluebeards. A macabre fairy tale from Georges Méliès.
In the early days of film, even the simplest of concepts was fresh territory. In this case, the Lumiere brothers showcase the denizens of Jerusalem waving farewell to a moving train. Cameras on a moving train? Oh my!
It’s 1899. Absinthe is the rage in France and pioneering director Alice Guy has a bit of fun with the then-stylish beverage. And a bottle of seltzer. It’s proto-slapstick!
No actual vampirism is involved in this serial, it’s about a criminal gang called the Vampires and their attempts to… well, I’m not really sure what. Kill people and break things, I guess. We also follow the efforts of a heroic reporter to bring these ne’er-do-wells to justice or something.
Paul Robeson makes his film debut in this Oscar Micheaux melodrama. Robeson plays dual roles: a horrible convict posing as a preacher and his sweet twin brother, a would be inventor. Micheaux’s signature pointed social commentary is on display in this rare surviving film from his silent career.
An oddball melodrama shot on location in Detroit, Eleven P.M. is a rare surviving film from mysterious indie director Richard Maurice. It weaves a tale of gangsters, street musicians, dogs with human heads… Well, you can’t accuse it of being boring.
When a railroad paymaster and the $25,000 in cash he was carrying disappear, returning WWI ace Billy Stokes is put on the case. This independent feature has an all African-American cast and is the only complete surviving feature of the Norman Film Manufacturing Company, a Florida-based studio that specialized in so-called race films.
When a well-to-do man drops his theater tickets, they are retrieved by a trio from the wrong side of the tracks. Once admitted into the swanky theater, the trio causes chaos and has an uproarious time. This picture was released by the controversial Ebony Film Corporation and was partially responsible for its downfall.
Stage star Lenore Ulric brings her signature role to the screen in this melodrama set in Canada. We have Mounties, trees and bloody revenge. The usual Hollywood Canadian wilderness picture, in other words, but we have the added bonus of a super Mountie and a location shoot in Yosemite.
Legendary comic artist Winsor McCay takes control of his Rarebit Fiend stories with this imagining of an all-insect vaudeville. (Actually, the result of a beggar’s overindulgence in cheesecake.) McCay’s signature beauty is on display but the pacing…
A mysterious message from outer space captures the imagination of a Russian scientist. He has other problems, though, as he suspects that his wife is stepping out on him with a petty official who moonlights as a black-market dealer. Oh yes, and there are scenes on Mars.
A wastrel son uses up his own money and so he forges his mother’s signature to get more. However, the family portrait gallery comes to life and the figures take turns berating their descendant for sullying the clan crest.
Psychedelic half a century before the word was coined, this film is a cautionary tale that warns against overindulgence in cheese toast. The film’s nightmarish and zany special effects hold up rather well and this proved to be another smash hit for the dominant Edison film company.
Alfred Hitchcock’s triumphant return to murder and mayhem is both his final silent film and his first talkie. Anny Ondra plays a nice kid who stabs a guy to death in his bed. These things happen. Originally conceived as a silent film, Hitchcock made it a talkie with reshoots and a new voice for his Czech leading lady.
The Edison film company took a stab at talking pictures pre-WWI and we are going to be looking at one of the most famous Kinetophone production. One of over 200 sound films released in 1913 and 1914, Nursery Favorites brings everyone’s favorite Mother Goose characters to life.
Rod La Rocque is a playboy who falls for a winsome aviatrix (Billie Dove) in this part-talkie romantic comedy. Based on a story by Elinor Glyn, the film gives us a contract marriage, a saucy dance sequence with a giant swimming tank on the ballroom floor and some very wild flying. Roaring twenties indeed.
This controversial Best Picture winner is a silent movie about the transition to sound. Jean Dujardin is on top of the world as a Valentino/Fairbanks/Gilbert type (with cute dog) but talkies send him into a downward spiral. Can he recover?
An eccentric millionaire decides he wants to spend his golden years reliving his youth as a gold miner in California and so he sends his secretary out west to set things up. This is the only known surviving film directed by Ruth Ann Baldwin.
Leatrice Joy is hell on wheels and in a designer gown. She plays a wild heiress whose naughty ways catch up with her when she accidentally kills a police officer with her reckless driving. Her prosecutor boyfriend throws the book at her and she ends up in prison. Also, Roman orgies. Why yes, Cecil B. DeMille did direct!
Mary Pickford returns to child roles as the princess of the title, a sweet young heiress whose sunny disposition is threatened when she loses her family and is forced to work as a maid. ZaSu Pitts nearly walks off with the picture as Pickford’s slavey pal.
A real murder in nineteenth century Ireland formed the basis for a novel, a play and this motion picture. It’s a darker, more twisted Cinderella variation with the poor girl marrying the rich boy but finding herself caught in a whirlwind of love, lust, ambition and greed. Prime melodrama, in other words.
Baby Peggy stars as a kidnapped tot who ends up performing at the circus. There’s a goofy detective, an ineffectual father, a cute dog and all the other expected silent kiddie comedy tropes.
What do you do if your boyfriend is a hopeless hypochondriac and his father is trying to bankrupt your family’s railroad? Well, you could hire pugilists to kidnap said boyfriend to get him into shape and then blackmail his dad into submission. Yeah, that sounds like a perfect plan for killing two birds with one stone and only a few felonies to commit!