A Modern Musketeer (1917) A Silent Film Review

Douglas Fairbanks is a nice Kansan who, through a the odd combination of his mother’s prenatal Dumas reading and a cyclone ravaging town as he was born, is a little hyper. All right, a lot hyper. He is also chivalrous to the point of madness (Dumas again). Setting out to find adventure, he happens upon a true damsel in distress. Is this the mission he has been waiting for?

Home Media Availability: Released on DVD.

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Scaramouche (1923) A Silent Film Review

Featuring the famous opening line, “he was born with the gift of laughter and a sense that the world was mad,” Scaramouche is the tale of Andre-Louis,  a young lawyer (Ramon Novarro) who seeks to revenge the murder of his best friend at the hands a heartless aristocrat (Lewis Stone). To further his ends, Andre-Louis becomes an actor, a fencing master and, finally, an architect of the French Revolution.
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The Mark of Zorro (1920) A Silent Film Review

Douglas Fairbanks stars in the very first Zorro movie. The tale is familiar: Zorro is a Californian Robin Hood, who robs from the rich, gives to the poor, fights oppression, romances the beautiful Lolita and does battle with the villainous Captain Ramon. And, this being a Fairbanks vehicle, there is quite a lot of leaping about in the bargain!
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The Sea Hawk (1924) A Silent Film Review

Sir Oliver Tressilian (Milton Sills) is a retired Elizabethan privateer whose life suddenly gets shot to pieces. He is framed for murder by his own brother, dumped by his fiancee, kidnapped, sold into slavery… What I’m saying is this guy has a chip on his shoulder. So he joins up with the Barbary corsairs and becomes the dreaded Sea Hawk. Now for that revenge…
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The Prisoner of Zenda (1922) A Silent Film Review

Rudolf (Lewis Stone) is an Englishman on holiday in the unstable European kingdom of Ruritania. It turns out that he is a dead ringer for the soon-to-be-crowned king (also Lewis Stone). This comes in handy when the king is kidnapped by his evil brother and Rudolf must take his place to save the kingdom. A young Ramon Novarro has a star-making turn as the theatrical (and homicidal) Rupert of Hentzau.

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The Idol Dancer (1920) A Silent Film Review

White Almond Flower (Clarine Seymour) is a flapper-ish island girl who just can’t choose between a sickly missionary (Creighton Hale) and an atheist beach bum (Richard Barthelmess). Will WAF be “civilized” or will she be free to continue her moonlight idolatry? D.W. Griffith directs this tale of religion, the nature of civilization and shimmy-shimmy shakes.
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The Oyster Princess (1919) A Silent Film Review

Ossi’s father is the Oyster King of America and she has decided that she deserves nothing less than a  European prince. Nucki is the penniless prince in question but a few cases of mistaken identity later, all plans are in shambles. Hidden amongst the the wacky hijinks is some pointed social commentary courtesy of director Ernst Lubitsch.

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The Little American (1917) A Silent Film Review

Mary Pickford joins the war effort in this collaboration with director Cecil B. DeMille. One woman, two armies, oh dear. Pickford plays Angela, an American girl so patriotic that she contrived to be born on Independence Day. However, she is in favor of outsourcing her love life: her two suitors are French and German respectively. But then that pesky war starts, both men are called up to serve and Angela must choose her side. 

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The Golden Chance (1915) A Silent Film Review

Cinderella has ulterior motives in this early DeMille melodrama. Mary Denby is a judge’s daughter who married below her station. With her husband drinking away the household income, she applies for work as a seamstress. The new job puts her in contact with a rich family who decide to use her beauty and charm to their advantage in business dealings. Nice people.

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