Harry Langdon is a little Belgian soldier who comes to America to find his pen pal. How hard can it be to find a Mary Brown in 1926? He just has to get through gangsters, bootleggers and the common cold to locate her. Langdon at his best.
William Haines is a safecracker who falls in love with a banker’s daughter and leaves the old business but the old business doesn’t want to leave him. The police are tracking him down but can he be saved by a last minute plot twist?
Adolphe Menjou and Florence Vidor are a couple of rich swells in the midst of a divorce, much to the horror of their only child (Betty Bronson). She conspires to get her parents back together with the help of a doctor and a movie star.
Reginald Denny and Laura La Plante play a couple hoping to raise their standard of living. When Denny lies about a raise, La Plante goes shopping and all is well until the repo man comes calling. A perfectly delightful domestic comedy.
Leatrice Joy plays a woman whose fiancé is more interested in unearthing 5,000-year-old mummies than in dating her. Instead of dumping the dude, she mopes and has historical flashbacks. So there.
Stop me if you’ve heard this one: a pretty shop girl falls in love with the boss but then schemes and circumstances force them apart. Will these crazy kids find love? Clara Bow and Antonio Moreno star in Bow’s signature film.
A rich fellow goes to Egypt for some sightseeing and ends up with a bride, a tomb curse broken and a deranged stalker. How was your last vacation? Pola Negri and Emil Jannings play some Svengali-meets-Dracula by way of an Egyptian tomb.
The queen of Egypt loves her Romans and so she falls for Mark Antony… What? You mean you know this one? Well, anyway, we’re looking over one of the very first feature-length Cleos with Helen Gardner in the title role.
What do you do when your girlfriend’s dad says no to the wedding? Earn money by forging Eqyptian antiquities, of course!
An Egyptian prince hopes to bring back his lost love under the shadow of the Sphinx. But, as Boris Karloff and Christopher Lee would later discover, there’s always a catch in such a plan.
The Panama Canal’s construction was a cause for celebration in the United States but Colombia had a very different viewpoint and this intriguing film presents it in no uncertain terms.
There are criminal happenings on the Veracruz railroad and Adolfo Mariel is sent in to investigate. What he finds is a criminal gang led by the mysterious Ruby and the stationmaster’s inevitably beautiful daughter. This stylish action/thriller comes from Mexico.
Bolivia’s only known surviving silent era film is set when the Inca were a force in South America but a prophet warns that violent change is coming. Sure enough, the Spanish conquistadors arrive in search of gold and things get bloody, to put it mildly. And so, it’s rather awkward when an Aymara princess falls for a Spanish capitan.
Chile’s most famous silent film, this is the story of freedom fighter Manuel Rodriguez and his guerilla war against royalist forced during Chile’s war for independence.
An inventor hallucinates an attack on himself and his airship and finds that he cannot awaken from the dream. Dark stuff that may come as a surprise to anyone who thinks Méliès was all about cute anthropomorphic moons.
One of the most acclaimed Brazilian films, Limite is true to its title and examines the limits of human existence through the experiences of three people in a lifeboat.
Charles Ray is a country boy from rural Vermont who gets to attend college thanks to his late mother’s final request. Teased for his unpolished ways, he joins the baseball team as their mascot. But when all the batters are injured at the big game, will our country boy prove himself?
It was the best of times… to make a Dickens adaptation! Movies were getting ever bigger in the 1910s and Fox decided to stage its own version of this literary classic about the French Revolution and far, far better things.
A movie about the movies, this film follows Doris Kenyon as she attempts to break into the New Jersey film industry—and is tempted by Robert Warwick to enter a life of sin! Oh my!
It’s ranchers vs. farmers when the local water rights are up for grabs. John Ford’s first feature film stars Harry Carey as a Good Bad Man and Hoot Gibson as his ally.
An early J. Warren Kerrigan vehicle about a rancher whose single daughter will inherit three million dollars if she can produce a marriage certificate. When the daughter refuses to marry, the father resorts to kidnapping. Allan Dwan directs.
Douglas Fairbanks plays a New Yorker who is obsessed with the west. When he gets an opportunity to travel to Arizona, the locals decide to play up the wild west element but when a robbery turns real, Doug’s cowboy skills come in handy.
A Russian ballerina sneaks off to Paris and there she find love and (da da DUM) peril. Alice Brady plays a double role as mother and daughter while Montagu Love provides the peril.
A jealous husband, a flirtatious wife, a quartet of lusty dinner guests and a shadow puppeteer… This is going to be an eventful evening. The film is a stylized marvel with plenty of the dark stuff we expect in German cinema.
Murder most theatrical! A major star dies a mysterious death on the stage but when his body is stolen, the case goes cold. Years later, his best friend gathers the entire cast to restage the play in order to unmask the killer but someone wants to make darn sure that the show never goes on and their methods are rather… permanent…
A fake psychic is making a fortune bilking the gullible with his house o’ special effects but he never counted on a gang of cute little kids stumbling onto his operation. Our Gang comedy with a high dose of Farina.
Douglas Fairbanks plays a vengeful nobleman who disguises himself as a pirate in order to take down bad guys and save a princess. It’s Swashbuckling 101 stuff but Fairbanks has a secret weapon: Technicolor!
Stan Laurel and Oliver Hardy try their hand at grave-robbing when a mad scientist offers them $500 for a fresh corpse. Grim and ghostly mayhem ensues when the pair try to snatch the occupant of a new grave.
A cowpoke (who may or may not be named Steve) wanders into a whole heap of melodrama when he saves an uncredited Fay Wray from a caddish brute (or brutish cad). Solid western from Universal’s Mustang line.
Continue reading “Four-Square Steve (1926) A Silent Film Review”
Raymond Griffith plays a coroner called to the scene of a murder most foul, which just ruins his plans to spend the evening at the theater. When the search for the killer turns out to be more complicated than he had expected, he must use every trick in the book to reveal the culprit.