William S. Hart plays an outlaw who, gosh darn it, ends up being hired as the marshal of a small, crime-infested town. Will he find redemption? Oh, come on. Do cops like donuts? Of course he will but getting there is all the fun.
If I had to pick one silent comedy series that deserves to be brought back to the public eye, my answer would be the Onésime films. Directed by Jean Durand and starring Ernest Bourbon, the series is strange, twisted and surreal.
Russia has rumblings in the interior and it’s not because of that questionable lunch. Director John Collins and leading lady Viola Dana create a revolutionary bit of entertainment torn from the headlines.
Real-life outlaw Al Jennings wasn’t a very good bandit but he found success in the movies as a consultant and star. This picture claims to be based on real events (grain of salt) and is a slow-moving but interesting film.
Comedic dynamic duo Mr. and Mrs. Sidney Drew poke fun at the then-current fox trot craze and their own May-December marriage in this absolutely delightful little comedy.
One of THE most iconic cliffhanger serials (never mind that it contains no cliffhangers) starring one of the most important serial queens is… not that good.
No profession is more cinematic than an agent of espionage and Fritz Lang’s stylish thriller has never been surpassed in flash, dash and sneaky doings. Grand fun, especially if you are a devotee of modern spy pictures and want to see one of the great building blocks of the genre.
Cowboys and vamps? Guys, I think we have hit peak 1915! William S. Hart plays a saloon proprietor who shoots a no-good skunk of a thief. But guess who has a pretty sister? Go on, guess!
Russian cinema didn’t start with the Soviets and this little melodrama from forgotten pioneer Vasily Goncharov is a hidden gem. It’s the story of a young peasant and the perils she encounters in the city; a familiar silent era tale but with a distinct Russian flavor.
A lurid combination of Madame Butterfly and a natural disaster torn from the headlines, The Wrath of the Gods is mostly notable as an early collaboration between Sessue Hayakawa and Tsuru Aoki.
Movie flapper Vera Reynolds joins the army during WWI as an entertainer. She’s joined by BFF Julia Faye and together, they try to cheer up doughboys stationed in France. Naturally, romance and danger are in the cards.
Lois Weber directed and starred in this story of a woman staying by herself in an isolated house when a vagrant attempts to break in. She calls for help on the telephone just before the wires are cut. Will help arrive in time?
Did you know that the moon is covered in cotton wool and breathes fire? If you didn’t then you probably haven’t seen An Excursion to the Moon, a charming little ripoff from the underrated Segundo de Chomon.
Lupino Lane plays a dapper young gentleman whose father has fallen in love. Since dear old dad doesn’t want look old, he persuades Lane to disguise himself as a child. Need I say that chaos ensues?
Director Maurice Tourneur’s technical virtuosity has never had a better showcase… it’s a shame that the story is trite, twee and basically advocates death before upward mobility. Oh well, we can’t have everything.
Harry Langdon plays a doughboy who escapes a POW camp while the Germans are “celebrating something or other” and finds himself the last American soldier in Europe. Oh, and he is also the perfect doppelgänger of the nearest king. I smell a Prisoner of Zenda spoof!
Lon Chaney plays a two-thumbed criminal on the lam who poses as an armless knife-thrower to deflect suspicion. (As one does.) He’s in love with Joan Crawford, who is afraid of men’s arms encircling her. Lon knows a surgeon who can… Yes, the movie goes there.
Sherlock Holmes made his (legal) feature film debut in 1916. William Gillette, who wrote and starred in the popular stage Sherlock, reprises his legendary role here.
Ivan Mosjoukine, one of the greatest actors in silent film, plays Edmund Kean, one of the greatest actors of Regency England. It’s all very stylish and European but perhaps a bit much for first-time silent viewers.
I feel nothing but contempt and disgust for this film. Not only does it lift its finale from my favorite silent film (Michael Strogoff) but people dash around squeaking about how AMAAAAAZING and creative that Cossacks finale is. No, I will not calm down.
This twee early Colleen Moore picture is about an orphan who faws in wuv and tonstant weader fwowed up.
In the mood for a so-bad-it’s-good silent film? Have I got a picture for you! This movie involves a cowpoke trying to find the man responsible for his sister’s death. To do this, he becomes a masked bandit and steals… ashtrays. Yes, you read that right. Ashtrays. No, this is not a comedy.
By all rights, the original (yes, original) 1925 Ben-Hur should have been a disaster but it somehow managed to survive and thrive despite budget woes, fascists, and fired directors, screenwriters and producers.
Dorothy and friends head off to Oz in this truncated and slightly odd adaptation from the Selig film company. All the classic plot points are present but the brief length makes for jerky storytelling.
Marion Wong was just twenty-one when she wrote, directed, produced and designed the costumes for her own feature film. Naturally, some modern historians are trying to find the man who must have helped her. (There is no eyeroll GIF big enough.)
What do you do to set your movie apart in a crowded market? If you worked for Kalem, you went overseas! This film is significant as it is believed to be the first fiction film shot in Ireland. The local color elevates this immigrant melodrama and makes it a must-see for history nerds.
Elmer Booth is a convicted ne’er-do-well who has promised to stick to the straight and narrow upon his release from prison for the sake of his wife, Mary Pickford. The promise lasts all of ten minutes and Booth is soon drinking with a counterfeiter. I’m sure this will end well.
100 years ago, if you wanted to see a movie from a box office powerhouse team, you would watch a film with Francis X. Bushman and Beverly Bayne. Under Royal Patronage is a Ruritanian romance designed to showcase their chemistry and It Screen Couple status.
Pauline Garon stars as a trapeze artist who falls for a rich boy slumming at the circus. And he has a snobby fiancee and an overbearing father! We all know exactly where this is going, right?
It’s a tale of double infidelity and revenge! The twist? All of the characters are played by stop-motion dead insects. The wonderfully weird animated film was created by Ladislas Stravevich, one of the most imaginative and witty animators in the history of film.