We all know that color was in the movies long before sound and that hand-colored dance films were part of Edison’s early screenings. So tell me this: What’s your favorite kind of cinematic color that was used during the silent era?
Here’s a fun little exercise. Many people dream of meeting their favorite entertainers in their prime so let’s indulge ourselves. You’re having a dinner party and you can invite anybody who worked in silent movies. Who makes the cut?
Beauty is in the eye of the beholder and looks aren’t everything… but they are today! Just for fun, tell me which silent stars are just plain breathtaking.
I was feeling a little mischievous on Twitter today (and every day) and so I decided to poke a bit of fun at the raging Cannes Film Festival vs. Netflix debate currently underway.
“An old black and white silent movie.”
The phrase trips off the tongue easily but it’s really inaccurate. Color was an integral part of the cinematic experience from the very beginning and the various methods of recording or adding hues are fascinating.
When it comes to silent films, the score is even more important than it is in talkies. A good score can save a mediocre film while a bad one can ruin even an excellent motion picture. But let’s talk about the best of the best.
There are many, many things to love about silent films but one thing that doesn’t get discussed a whole lot is how WEIRD so many of them are. Well, I think it’s time that we discuss it, don’t you?
“I like everything but westerns” is a pretty common remark to hear when discussing classic film. Look, I get it. I’m not the biggest fan of some the must-see films in the genre but I do enjoy a nice dose of people in spurs shooting one another.
I’m working on updating my list of my most-disliked silent films and if I have to suffer then you do too. Spill your guts! Which silent movies do you absolutely despise?
Since we’re almost through January, I thought this would be a good time to discuss your silent movie plans for the year. In short, which silent films are you finally going to see this year?
We’re going to be a bit materialistic this time around. We’ve talked about silent film experiences, now let’s discuss some of the THINGS that we love. Specifically, is there a silent-related book, home video release or album that you were particularly excited to obtain?
We only have a few more days of 2017, so I wanted ask everyone how their silent movie year went. What were your new discoveries? Did you finally get to a live screening? Please share!
How many hankies do you need to watch these movies? The whole box? Two boxes? Three? Tell me all about it!
We all have favorite comedians and favorite comedy films but what about favorite comedy moments? Is there a scene that just makes you laugh out loud?
“Silent movies? You like silent movies?”
It’s a conversation that I’ve had all too many times in my career as a silent movie fan. Many modern filmgoers just can’t comprehend why anybody would willingly watch a silent movie, let alone multiple silents.
Some of us will have to dig back to our childhoods, others will have to go back a few weeks but let’s share our earliest silent film memories.
Okay, I have a plan rattling around my brain but I need a little bit of help from you. Here’s a chance to share some of your biggest questions about silent films.
“Lost Silent Movie Found in Barn!”
Silent movie fans live for these headlines. Eccentric collectors’ estate sales, disorganized archives, old movie theaters and even abandoned swimming pools, lost silent movies can crop up in the strangest locations.
As 1917 is the 100th anniversary of the release of Theda Bara’s blockbuster, Cleopatra, and since her films have the worst availability of just about any major star, I thought the subject of ease of access would be an interesting topic.
There are maybe five or six silent films that are famous enough to be mentioned by Jane Q. Public. Metropolis, Battleship Potemkin, things like that. The list of “essential” silents– the films most silent film fans have heard about– is longer but there is still a long tail of obscure pictures that need advocates to get the word out.
Here’s a question that crops up time and again: You like silent movies but your friend, date, spouse, kid has never seen one. Which titles are best for newcomers?
If you had to pick one silent movie as your all-time favorite, what would it be? Inquiring minds wish to know!
A while back, I asked my readers to share their favorite silent leading ladies and received many wonderful answers. Now I’m asking for the same in the men’s division!
We haven’t done one of these in a while so I thought it would be a fun little activity for all of us. Who is your favorite silent leading lady?
Rudolph Valentino? Louise Brooks? Richard Barthelmess? Clara Bow? Who are the silent stars who make your heart skip a beat?
Normally, I try (and often fail) to keep this site on the sunny side of things. Unless, of course, we are discussing a certain director whose name begins with a D and ends with a W Griffith. However, there are times when people need to vent and this is one of them.
It’s almost a cliche now but it’s worth repeating. Silent films were never silent. Music remains an essential component of the silent film experience and that is our topic of discussion today. We are going to salute the talented men and women who create the music of the silent movies.
In order to love silent films, all you need is an open mind and the right movie. But what is the right movie? Which titles are the best for winning people over to the silent side?