Empowered and Imperiled: A Few Important Terms to Use When Discussing Women in Silent Film

Readers of this site know that I get more than a little annoyed when silent film heroines are dismissed as screaming damsels tied to the tracks. Not only is this a myth, it is a damaging one, erasing the many bold and brash silent movie heroines from film history.

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Tell me about the weirdest comments you’ve ever gotten on your site

I’ve had some weird comments in my day. I am still particularly tickled about that time I was accused of being in the pay of Louis B. Mayer’s family and I have had to deal with infestations of overzealous Valentino fans but this particular comment takes the cake. All the cake. There is no more cake because of this comment.

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“You can’t judge a silent film by today’s standards” or “You want I should be an idiot?”

I wanted to take a minute to discuss a nasty little red herring that shows up now and again in discussions of silent film: the notion that criticizing a silent film from a modern viewpoint is somehow wrong and naughty and will just blow up the earth. (faints) I’ve been wanting to cover this for a while so here goes…

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