The Shine Girl (1916)
Status: Missing and presumed lost
This is a Pollyanna-esque tale of a little shoeshine girl who brightens the lives of all she meets. For the record, Mary Pickford and I feel exactly the same way about Pollyanna (she annoys us) but I rather like Gladys Hulette, who plays the title character in The Shine Girl. (Get it? Get it? Cuz she shines shoes and brightens lives? Get it? Get it?)
The story is about a shoeshine girl who wins the love of a Children’s Court judge.
Moving Picture World praised the picture but mentioned a few rough spots:
One of the interesting points about this production from the Thanhouser studios is that its scenario was written by Agnes C. Johnson, who is not only one of the youngest, but one of the few scenario writers exhibiting the spark of genius. Miss Johnson is but eighteen years old, and first attracted the notice of the writer through an artistic three-reel production entitled “The Window of Dreams.” While “The Shine Girl” could not be termed a powerful play, it represents an idea of great beauty. The character of the “shine” girl is of the positive, individual sort that is sometimes met with in the most unexpected places. Although this little girl’s vocation was that of a bootblack, she was not content with the mere shining of shoes. She was of a philosophic turn of mind, and believed among other things that sorrow had the same effect on people that show blacking had on shoes, it made them dark at first, but they polished up brighter after if had been rubbed on. She was also the very embodiment of the spirit of love as learned by her only pal Sally; and Sally, by the way, was a poor, sickly geranium, who consented to live only because the little “shine” girl carried her out of her dark corner into the sunshine whenever she ventured forth herself and considered it a privilege to clamber up fire escapes that Sally might drink in larger droughts of the life-giving elements.
This is an index to the nature of the “shine” girl, and early in life she found opportunities to shine human hearts as well as shoes. She also found her way, along with Sally, into the country where she believed the sun always shone through the kind heart of the Judge of the Children’s Court, whom she afterward rescues from committing a folly, and later marries.
Gladys Hulette has given a beautiful portrayal of the character of the “shine” girl , with A. Wayne playing opposite her as the judge. There are a few points at which the picture might be brushed into more professional shape, but here is no denying that the central idea has been clearly defined. Some off-shoots of the theme might have been strengthened in detail, and there may be a felling that the character of the Judge was not a well-balanced one and has been somewhat victimized in bringing about a dramatic climax. Nevertheless the production is distinctly human, clean and beautiful.
Agnes Christine Johnston was all of 20 when she wrote The Shine Girl. As predicted in the review, she did go on to great things. She wrote scenarios for beloved silent classics like Daddy Long Legs and Show People and enjoyed success in the talkies writing screenplays for the Andy Hardy series.
Wid’s Film and Film Folk also praised the concept but considered the film uneven:
Taken as a whole, I would say that this is a production which will be decidedly satisfying with any audience, highbrow or lowbrow. It is sufficiently artistic to please the discriminating, and surely it has a good audience appeal because of the central thought. This is not a wonderful production technically, because of a few little things which hold it down in the ‘good’ class instead of allowing it to soar to great height, but it surely is a splendid audience film. When it comes to box-office appeal, I doubt whether Miss Hulette can pull you much business, unless you go out and aggressively boost this as an artistic, human presentation of a truly big idea. You can possibly arouse a lot of interest in this by announcing that it deals with the juvenile court problem, for this is a question of general interest. If you wanted to start a discussion, you might say in your ads, ‘Is it any worse to steal a man’s wife than it is to steal a loaf of bread?
I am curious to see this “clean and human” film. I certainly would like to see Gladys Hulette in an early role.